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1. |
Record Nr. |
UNISA996308820603316 |
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Autore |
Barck Joanna |
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Titolo |
Hin zum Film - Zurück zu den Bildern : Tableaux Vivants: »Lebende Bilder« in Filmen von Antamoro, Korda, Visconti und Pasolini / Joanna Barck |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2015 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Collana |
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Classificazione |
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Disciplina |
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Soggetti |
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Film; Malerei; Tableau Vivant; Lebende Bilder; Bildnachstellung; Bild; Kunst; Bildwissenschaft; Kunstgeschichte; Medienwissenschaft; Image; Arts; Visual Studies; Art History; Media Studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter 1 Inhalt 5 Vorwort 9 I. VOM EINFALL DER KUNST INS LEBEN. EINE EINFÜHRUNG 17 II. ZWISCHEN BILD UND FILMBILD. ZUR STRUKTURELLEN EIGENHEIT DER TABLEAUX VIVANTS IM FILMBILD 57 III. DAS VERMITTELTE BILD IM FILM. CHRISTUS HENRY VIII SENSO 81 IV. DIE KONTAMINATION DER FILMBILDER: PASOLINIS LA RICOTTA UND IL DECAMERON 191 LITERATUR 315 DANKSAGUNG 336 Backmatter 337 |
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Sommario/riassunto |
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Unter »Tableau vivant« (Lebende Bilder) versteht man ein Gesellschaftsspiel des 18. und 19. Jahrhunderts, das darin bestand, Gemälde durch lebende Personen nachzustellen. Diderot und Goethe begeisterten sich für diese - heute längst vergessene - Bilderpraxis. Umso überraschender ist es, die anachronistische Kunst nicht nur in Stummfilmen, sondern auch in gegenwärtigen Spielfilmen wieder zu entdecken. Was passiert mit dem Filmbild, wenn es sich auf die Struktur unbewegter, nach Gemälden gestellter Bilder einlässt und diese verlebendigt? Das Buch widmet sich diesem ungewöhnlichen Bildphänomen aus historischer und bildwissenschaftlicher Sicht und zeigt auf, welche subversiven Kräfte durch die Gemäldenachstellungen im Film freigesetzt werden und zu welchen diegetischen Erweiterungen diese führen können. Die interdisziplinär ausgerichtete Studie versucht dabei, zwischen Kunstgeschichte und Filmwissenschaft zu vermitteln. |
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2. |
Record Nr. |
UNINA9910364949703321 |
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Autore |
Pringle Robert |
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Titolo |
The Power of Money : How Ideas about Money Shaped the Modern World / / by Robert Pringle |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
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ISBN |
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Edizione |
[1st ed. 2019.] |
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Descrizione fisica |
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1 online resource (297 pages) |
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Disciplina |
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Soggetti |
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Finance |
History |
Macroeconomics |
Economics - Sociological aspects |
Financial Economics |
Financial History |
Macroeconomics and Monetary Economics |
Economic Sociology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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1. Introduction -- 2. European money and culture before 1914 -- 3. The 1920s: Lessons from Weimar -- 4. The Jazz Age: America in the 1920s -- 5. The money-haters: experiments in socialism -- 6. Europe between the world wars: a ferment of ideas -- 7. How Europe's culture kept money under control (1940s and 1950s) -- 8. New money from the New World -- 9. American culture and the dollar after World War II -- 10. The century's hinge (mid 1960s to late 1970s) -- 11. 1980-2000: Creation of a global money space -- 12. The global money culture - an outline -- 13. Money Delusion and the crash, 2000-2010 -- 14. Money as a tool of the state -- 15. The euro: the biggest money project -- 16. Crony and criminal capitalism since 2010 -- 17. Global money: Insiders and Outsiders -- 18. The jealous state and the future of money -- 19. The new sociology of money -- 20. Money and the |
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decline of classical liberalism -- 21. What can we learn from Japanese culture -- 22. Contemporary art: towards new ways of'seeing' money -- 23. The money we deserve. |
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Sommario/riassunto |
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Innovation in money is just as important as innovation in any other sphere of activity; money is always a "work in progress." In fact, history shows societies have tried out a wide diversity of monetary arrangements. Ideas about money have played key roles at crucial turning points in world history and during national histories. Recently, a new global money space has been created, a joint venture between the public and private sector. This book explores the new money society that has grown up to inhabit this new space. The book has several aims: Firstly, the book shows how beliefs about money, as well as attitudes and values towards it, have varied between societies and over time, and specifically how they have changed over the modern era. Secondly, the book shows the powerful effects that changing ideas have had on events, including wars and revolutions, recessions, booms and financial crises. Thirdly, the book recounts the creation of a global money space, dated to the lastquarter of the 20th century, and explores its features. Fourthly, the book describes some characteristics of the new money society that inhabits the global money space. Fifthly, the book shows how each society, and indeed successive generations of the same society, has made its own unique arrangements to govern money - i.e. how it comes to terms with the power of money. The author argues that we need to develop a new arrangement now and suggests that we have much to learn from recent creative work in a number of fields ranging from the sociology of money to contemporary art. This approach sheds new light on a number of controversial issues, including the rise of crony capitalism, growing social divisions, currency wars, and asset price bubbles. |
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