1.

Record Nr.

UNINA990000057220403321

Autore

Albin, Mario

Titolo

Compressori centrifughi ed assiali / Mario Albin

Pubbl/distr/stampa

Napoli, : Liguori, 1980

ISBN

88-207-0031-X

Descrizione fisica

274 p. : ill. ; 23 cm

Disciplina

621.5

Locazione

FINBC

FINAG

Collocazione

13 P 07 15

13 37 33

13 C 55 27

13 C 55 28

23 09 A 19

23 09 A 20

23 09 A 21

13 C 55 29

13 C 55 30

23 16 A 19

23 16 A 20

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia



2.

Record Nr.

UNISA996248238803316

Autore

MacDonald Scott <1942->

Titolo

A critical cinema 5 [[electronic resource] ] : interviews with independent filmmakers / / Scott MacDonald

Pubbl/distr/stampa

Berkeley, Calif. ; ; London, : University of California Press, 2006

ISBN

1-282-35819-7

1-4237-4550-7

9786612358197

0-520-93908-5

1-59875-914-0

Descrizione fisica

1 online resource (462 p.)

Disciplina

791.43750973

Soggetti

Experimental films - United States - History and criticism

Independent filmmakers - United States

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Includes filmography.

Nota di contenuto

Front matter -- Contents -- Acknowledgments -- Introduction -- Kenneth Anger -- Tony Conrad: On the Sixties -- Nathaniel Dorsky (and Jerome Hiler) -- Peggy Ahwesh -- Alan Berliner -- Robb Moss -- Phil Solomon -- James Benning: On His Westerns -- J. Leighton Pierce -- Matthias Müller -- Sharon Lockhart -- Jennifer Todd Reeves: On Chronic and The Time We Killed -- Shiho Kano -- Ernie Gehr -- Filmography -- Bibliography -- Index

Sommario/riassunto

A Critical Cinema 5 is the fifth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the interactive community of filmmakers that has dedicated itself to producing forms of cinema that critique conventional media.