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Record Nr. |
UNISA996248236003316 |
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Autore |
Garratt James <1974-> |
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Titolo |
Palestrina and the German romantic imagination : interpreting historicism in nineteenth-century music / / James Garratt [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2002 |
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ISBN |
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0-511-10300-X |
1-107-12452-2 |
0-511-48179-9 |
1-280-43044-3 |
0-511-17717-8 |
0-511-04446-1 |
0-511-32993-8 |
0-511-15808-4 |
0-521-80737-9 |
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Descrizione fisica |
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1 online resource (xiv, 318 pages) : digital, PDF file(s) |
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Collana |
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Musical performance and reception |
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Disciplina |
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Soggetti |
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Music - 19th century - History and criticism |
Choral music |
Historicism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references (p. 296-310) and index. |
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Nota di contenuto |
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Historicism in nineteenth-century art, aesthetics and culture -- Romanticism and the problem of church music -- Protestant Palestrina revival -- Catholic Palestrina revival -- Palestrina in the concert hall -- Interpreting the secondary discourse of nineteenth-century music. |
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Sommario/riassunto |
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Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a provocative model for interpreting compositional historicism. In addition to presenting insights into the works of Bruckner, Mendelssohn and Liszt, the book offers fresh perspectives on |
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