1.

Record Nr.

UNISA996248175303316

Autore

Rosenbaum Jonathan

Titolo

Movies as politics / / Jonathan Rosenbaum

Pubbl/distr/stampa

Berkeley, CA : , : University of California Press, , [1997]

©1997

ISBN

0-520-91810-X

0-585-28538-1

Edizione

[Reprint 2019]

Descrizione fisica

1 online resource (xi, 359 p. )

Disciplina

791.43/658

Soggetti

Motion pictures - Political aspects

Film

Music, Dance, Drama & Film

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Frontmatter -- Contents -- Acknowledgments -- How to Live in Air Conditioning -- Language, Representation, Narrative -- Utopian Space and Urban Encounters -- Chance and Control -- Classification and Genre: Musical Ghettos -- Two / Entertainment as Oppression: The Hollywood Apparatus -- Alternatives -- Political Subjects -- Other Cinemas -- Alternate Histories -- Index

Sommario/riassunto

In this new collection of reviews and essays, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene. Rosenbaum, widely regarded as the most gifted contemporary American commentator on the cinema, explores the many links between film and our ideological identities as individuals and as a society. Readers will find revealing examinations of, for example, racial stereotyping in the debates surrounding Do the Right Thing, key films from Africa, China, Japan, and Taiwan, Hollywood musicals and French serials, and the cultural amnesia accompanying cinematic treatments of the Russian Revolution, the civil rights movement, and the Vietnam War. From Schindler's List, Star Wars, Pulp Fiction, Forrest Gump, The Piano, and Ace Ventura: Pet Detective to the maverick careers of Orson Welles, Jacques Tati, Nicholas Ray, Chantal Akerman, Todd Haynes, and Andrei Tarkovsky, Rosenbaum offers a polemically pointed survey that



makes clear the high stakes involved in every aspect of filmmaking and filmgoing.