1.

Record Nr.

UNISA996248124003316

Autore

Bentley Michael <1948->

Titolo

Modernizing England's past : English historiography in the age of modernism, 1870-1970 / / Michael Bentley [[electronic resource]]

Pubbl/distr/stampa

Cambridge : , : Cambridge University Press, , 2005

ISBN

0-511-14533-0

1-107-15144-9

1-280-33075-9

0-511-14657-4

0-511-14680-9

0-511-14578-0

0-511-31216-4

0-511-61618-X

0-511-14622-1

Descrizione fisica

1 online resource (viii, 245 pages) : digital, PDF file(s)

Collana

The Wiles lectures

Disciplina

907.2042

Soggetti

Historiography - England - History - 19th century

Historiography - England - History - 20th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Note on the text; Introduction; Prelude: after the whigs; Part I The whig legacy; Part II Modernist investments; Coda: after the modernists; Bibliographical note; Index

Sommario/riassunto

What came before 'postmodernism' in historical studies? By thinking through the assumptions, methods and cast of mind of English historians writing between about 1870 and 1970, this book reveals the intellectual world of the modernists and offers a full analysis of English historiography in this crucial period. Modernist historiography set itself the objective of going beyond the colourful narratives of 'whigs' and 'popularizers' in order to establish history as the queen of the humanities and as a rival to the sciences as a vehicle of knowledge. Professor Bentley does not follow those who deride modernism as



'positivist' or 'empiricist' but instead shows how it set in train brilliant new styles of investigation that transformed how historians understood the English past. But he shows how these strengths were eventually outweighed by inherent confusions and misapprehensions that threatened to kill the very subject that the modernists had intended to sustain.