Down from Olympus : Archaeology and Philhellenism in Germany, 1750-1970 / / Suzanne L. Marchand

• Record Nr.: UNISA996248085103316
• Autore: Marchand Suzanne L. <1961->
• Pubbl/distr/stampa: Princeton, N.J. : , : Princeton University Press, , 2003, 1996; Baltimore, Md. : , : Project MUSE, , 2021; ©2003, 1996
• ISBN: 1-4008-4368-5; 0-691-11478-1
• Descrizione fisica: 1 online resource (xxiv, 400 p. ) : ill.
• Disciplina: 938.0072043
• Soggetti: Neoclassicism (Art); Intellectual life; Enlightenment; Civilization, Classical; Art, Greek - Influence; Archaeology; Civilisation ancienne; Neoclassicisme (Art); Siecle des lumieres; Archeologie; Neoclassicism (Art) - Germany; Enlightenment - Germany; Archaeology - Germany - History; Livres numeriques.; History; Electronic books.; Germany; Allemagne Vie intellectuelle 20e siecle; Allemagne Vie intellectuelle 19e siecle; Allemagne Vie intellectuelle 18e siecle; Germany Intellectual life 20th century; Germany Intellectual life 19th century; Germany Intellectual life 18th century
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Bibliographic Level Mode of Issuance: Monograph
• Nota di bibliografia: Includes bibliographical references (pages [377]-389) and index.
• Nota di contenuto: ONE: The Making of a Cultural Obsession -- TWO: From Ideals to Institutions -- THREE: The Vicissitudes of Grand-Scale Archaeology -- FOUR: Trouble in Olympus -- FIVE: Excavating the Barbarian -- SIX: The Peculiarities of German Orientalism -- SEVEN: Kultur and the World War -- EIGHT: The Persistence of the Old Regime -- NINE: The Third Humanism and the Return of Romantic Aesthetics -- TEN: The Decline of Philhellenism, 1933-1970
• Sommario/riassunto: Since the publication of Eliza May Butler's Tyranny of Greece over Germany in 1935, the obsession of the German educated elite with the ancient Greeks has become an accepted, if severely underanalyzed, cliché. In Down from Olympus, Suzanne Marchand attempts to come to grips with German Graecophilia, not as a private passion but as an institutionally generated and preserved cultural trope. The book argues that nineteenth-century philhellenes inherited both an elitist, normative aesthetics and an ascetic, scholarly ethos from their Romantic predecessors; German "neohumanists" promised to reconcile these intellectual commitments, and by so doing, to revitalize education and the arts. Focusing on the history of classical archaeology, Marchand shows how the injunction to imitate Greek art was made the basis for new, state-funded cultural institutions. Tracing interactions between scholars and policymakers that made possible grand-scale cultural feats like the acquisition of the Pergamum Altar, she underscores both the gains in specialized knowledge and the failures in social responsibility that were the distinctive products of German neohumanism.This book discusses intellectual and institutional aspects of archaeology and philhellenism, giving extensive treatment to the history of prehistorical archaeology and German "orientalism." Marchand traces the history of the study, excavation, and exhibition of Greek art as a means to confront the social, cultural, and political consequences of the specialization of scholarship in the last two centuries.