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1. |
Record Nr. |
UNISA996379043903316 |
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Titolo |
Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault |
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Pubbl/distr/stampa |
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Amsterdam : , : Amsterdam University Press, , [2017] |
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©2017 |
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ISBN |
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Descrizione fisica |
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1 online resource (264 pages) |
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Collana |
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Film theory in media history |
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Disciplina |
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Soggetti |
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Performing Arts |
Filmtheorie |
Technology in motion pictures |
Technology in motion pictures - History |
History |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Machine generated contents note: ; Section I Experience -- ; 1. When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Charles Musser -- ; 2. Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Jan Olsson -- ; 3. Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Andre Habib -- ; 4. Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Dana Cooley -- ; Section II Study -- ; 5. Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / David Colangelo -- ; 6. Film Analysis and Statistics: A Field Report / Charles O'Brien -- ; 7. A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Paul Moore -- ; Section III Theory -- ; 8. Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Tom Gunning -- ; 9. Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / Vinzenz Hediger -- ; 10. On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology |
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in Cinema / Benoit Turquety. |
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Sommario/riassunto |
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"This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger."--Publisher website |
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2. |
Record Nr. |
UNISA996217061403316 |
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Autore |
Milbank John |
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Titolo |
Theology and social theory [[electronic resource] ] : beyond secular reason / / John Milbank |
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Pubbl/distr/stampa |
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Oxford, UK ; ; Malden, MA, : Blackwell Pub., 2006 |
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ISBN |
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1-281-30846-3 |
9786611308469 |
0-470-69412-2 |
0-470-69331-2 |
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Edizione |
[2nd ed.] |
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Descrizione fisica |
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1 online resource (482 p.) |
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Disciplina |
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Soggetti |
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Christianity and the social sciences - History of doctrines |
Christian sociology |
Theology - Methodology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Political theology and the new science of politics -- Political economy as theodicy and agnostics -- Sociology I : from Malebranche to Durkheim -- Sociology II : from Kant to Weber -- Policing the sublime : a critique of the sociology of religion -- For and against Hegel -- For and against Marx -- Founding the supernatural : political and liberation theology in the context of modern Catholic thought -- Science, power, |
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and reality -- Ontological violence or the postmodern problematic -- Difference of virtue, virtue of difference -- The other city : theology as a social science. |
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Sommario/riassunto |
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This is a revised edition of John Milbank's masterpiece, which sketches the outline of a specifically theological social theory.:.; The Times Higher Education Supplement wrote of the first edition that it was "a tour de force of systematic theology. It would be churlish not to acknowledge its provocation and brilliance".; Brings this classic work up-to-date by reviewing the development of modern social thought.; Features a substantial new introduction by Milbank, clarifying the theoretical basis for his work.; Challenges the notion that sociological critiques of theology are 'scientific'.; Out |
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