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Record Nr. |
UNISA996213344003316 |
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Autore |
Abbate Carolyn |
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Titolo |
Unsung Voices : Opera and Musical Narrative in the Nineteenth Century / / Carolyn Abbate |
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Pubbl/distr/stampa |
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Princeton, NJ : , : Princeton University Press, , [1996] |
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©1996 |
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ISBN |
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1-322-97431-4 |
1-4008-4383-9 |
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Descrizione fisica |
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1 online resource (288 p.) |
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Collana |
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Princeton Studies in Opera ; ; 1 |
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Disciplina |
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Soggetti |
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Narrative in music |
Music - 19th century - Philosophy and aesthetics |
Opera - 19th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [275]-282) and index. |
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Nota di contenuto |
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Frontmatter -- CONTENTS -- Preface -- Chapter One. Music's Voices -- Chapter Two. What the Sorcerer Said -- Chapter Three. Cherubino Uncovered: Reflexivity in Operatic Narration -- Chapter Four. Mahler's Deafness: Opera and the Scene of Narration in Todtenfeier -- Chapter Five. Wotan's Monologue and the Morality of Musical Narration -- Chapter Six. Brünnhilde Walks by Night -- Notes -- Bibliography -- Index |
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Sommario/riassunto |
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Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis. |
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