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Record Nr. |
UNISA996210337003316 |
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Titolo |
The Cambridge companion to H.D. / / edited by Nephie J. Christodoulides and Polina Mackay [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2012 |
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ISBN |
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1-139-80114-7 |
1-139-04567-9 |
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Descrizione fisica |
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1 online resource (xviii, 181 pages) : digital, PDF file(s) |
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Collana |
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Cambridge companions to literature |
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Classificazione |
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Disciplina |
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Soggetti |
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Modernism (Literature) - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 09 Nov 2015). |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Machine generated contents note: Chronology; Introduction Nephie J. Christodoulides and Polina Mackay; Part I. Contexts and Issues: 1. 'Uncanonically seated': H. D. and literary canons Miranda B. Hickman; 2. Facts and fictions Nephie J. Christodoulides; 3. H. D. and the 'Little Magazines' Cyrena N. Pondrom; 4. H. D.'s modernism Polina Mackay; 5. H. D. and gender: queering the reading Georgia Johnston; 6. Reading H. D.: influence and legacy Jo Gill; Part II. Works: 7. H. D.'s transformative poetics Diana Collecott; 8. Hymen and Trilogy Sarah Graham; 9. HERmione and other prose Matte Robinson and Demetrios P. Tryphonopoulos; 10. H. D. and translation Eileen Gregory; 11. Reading history in The Gift and Tribute to Freud Brenda S. Helt; Further reading; Index. |
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Sommario/riassunto |
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H. D. (Hilda Doolittle) was one of the central figures in literary modernism in the 1910s. She collaborated with Ezra Pound and others and played an important role in the early development of modernist poetry. This Cambridge Companion is a critical introduction to H. D. containing essays on all her major works. The first part explores the author's initial exclusion from the canon and her subsequent reinstatement; her tendency to merge fact with fiction in her autobiographical texts; her contribution to the little magazines; her relation to modernism; her representation of gender; and her influence on later generations of writers. The second part offers close and accessible critical analyses of H. D.'s style, her poems Hymen and |
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