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1. |
Record Nr. |
UNISA996209200403316 |
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Titolo |
5th Conference on Optical/Hybrid Access Networks : conference proceedings, September 7-9, 1993, Montreal, Canada |
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Pubbl/distr/stampa |
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[Place of publication not identified], : Institute of Electrical and Electronics Engineers, 1992 |
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Disciplina |
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Soggetti |
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Optical communications - Congresses |
Optical fibers - Congresses |
Electrical & Computer Engineering |
Engineering & Applied Sciences |
Telecommunications |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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2. |
Record Nr. |
UNINA9910778184803321 |
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Autore |
Vendler Helen <1933-> |
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Titolo |
Poets thinking [[electronic resource] ] : Pope, Whitman, Dickinson, Yeats / / Helen Vendler |
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Pubbl/distr/stampa |
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Cambridge, Mass., : Harvard University Press, 2004 |
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ISBN |
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0-674-26810-5 |
0-674-04462-2 |
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Descrizione fisica |
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1 online resource (160 p.) |
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Disciplina |
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Soggetti |
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English poetry - History and criticism |
American poetry - 19th century - History and criticism |
Thought and thinking |
English-speaking countries Intellectual life |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Originally published: 2004. |
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Nota di bibliografia |
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Includes bibliographical references (p. 121-137) and index. |
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Nota di contenuto |
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Frontmatter -- Acknowledgments -- Contents -- Introduction -- 1 Alexander Pope Thinking Miniaturizing, Modeling, and Mocking Ideas -- 2 Walt Whitman Thinking Transcription, Reprise, and Temptations Resisted -- 3 Emily Dickinson Thinking Rearranging Seriality -- 4 W. B. Yeats Thinking Thinking in Images, Thinking in Assertions -- Notes -- Index |
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Sommario/riassunto |
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The four poets taken up in this volume - Alexander Pope, Walt Whitman, Emily Dickinson and William Butler Yeates - come from three centuries and three nations, and their styles of thinking are characteristically ideosyncratic. Helen Vendler traces these poets' lines to find evidence of thought in lyric. |
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