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1. |
Record Nr. |
UNISA996208534403316 |
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Autore |
Doorman Maarten |
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Titolo |
Art in progress : a philosophical response to the end of the avant-garde / / Maarten Doorman ; translated from the Dutch by Sherry Marx |
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Pubbl/distr/stampa |
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Amsterdam : , : Amsterdam University Press, , 2003 |
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ISBN |
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1-280-95882-0 |
9786610958825 |
90-485-0513-5 |
0-585-49537-8 |
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Descrizione fisica |
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1 online resource (181 pages) : digital, PDF file(s) |
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Disciplina |
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Soggetti |
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Aesthetics |
Avant-garde (Aesthetics) |
Progress |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 15 Jan 2021). |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- Foreword / Doorman, Maarten -- Introduction -- 1. Perspectives On Progress: A History -- 2. From The Ancients And The Moderns: A Door To The Future -- 3. From Romanticism To The Avant-Garde -- 4. On Making Revolution -- 5. Innovation In Painting And Architecture: De Stijl -- 6. The End Of Art -- 7. A New Approach To An Old Concept -- Notes -- Bibliography -- Index Of Names |
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Sommario/riassunto |
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In this challenging essay, Maarten Doorman argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism, he claims, have had a crippling effect on art, leaving it in danger of becoming meaningless. Art can only acquire meaning through context; the concept of progress, then, is ideal as the primary criterion for establishing that context. The history of art, in fact, can be seen as a process of constant accumulation, works of art commenting on one another and enriching one another's meanings. It is these complex interrelationships and the progress they create in both art and its observers that Doorman, in a display of great philosophical erudition, defends. |
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2. |
Record Nr. |
UNINA9910153749703321 |
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Autore |
Bampi Massimiliano |
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Titolo |
Bridges to Scandinavia / / Andrea Meregalli, Camilla Storskog |
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Pubbl/distr/stampa |
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Milano, : Ledizioni, 2019 |
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ISBN |
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Descrizione fisica |
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1 online resource (283 p.) |
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Altri autori (Persone) |
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BerardiniAndrea |
BernardiniLuca |
Di VenosaElena |
FerrariAlessia |
FincoDavide |
LombardiMaria Cristina |
LonatiElisabetta |
ManeraDanilo |
MarelliPaolo |
MeregalliAndrea |
PaleariMoira |
PerrelliFranco |
PutignanoElena |
SilanderSusann |
SpazzaliPaola |
StorskogCamilla |
ZulianiFederico |
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Soggetti |
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Scandinavian literature - History and criticism |
Scandinavian literature - Appreciation - Europe |
Scandinavian literature - Appreciation - United States |
Scandinavia Relations Europe |
Scandinavia Relations United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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This volume is the final output of a project started in 2013 on the occasion of the fortieth anniversary of the Scandinavian Section of the University of Milan. A group of scholars working on different European and non-European cultural and literary traditions come together here to discuss the relationships between their areas of study and the Nordic countries. The range of the contributions expands over time and space, from the Middle Ages to the present day, from Poland in the east to the United States in the west, across various European countries. Through various kinds of expertise and different perspectives, this intercultural discourse deals with diverse themes, including the perception of Nordic culture(s) by foreign writers as well as the image of other cultures in Scandinavian works. In particular, the literary and cultural interchange of models and ideas between the North and other areas is investigated in a number of essays devoted to numerous authors, including, among others, Klaus Böldl, Carmen de Burgos, Carlo Emilio Gadda, Gerhart Hauptmann, Henrik Ibsen, Stieg Larsson, Carl von Linné, Rainer Maria Rilke, J.D. Salinger, Henryk Sienkiewicz, Mme de Staël, August Strindberg, and Tomas Tranströmer. |
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