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1. |
Record Nr. |
UNISA996208278303316 |
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Autore |
Evans Alan W |
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Titolo |
Economics and land use planning [[electronic resource] /] / Alan W. Evans |
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Pubbl/distr/stampa |
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Oxford ; ; Malden, MA, : Blackwell Pub., 2004 |
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ISBN |
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1-281-31876-0 |
9786611318765 |
0-470-79946-3 |
0-470-69089-5 |
0-470-68058-X |
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Descrizione fisica |
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1 online resource (226 p.) |
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Collana |
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Disciplina |
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333.73/0941/091732 |
333.730941091732 |
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Soggetti |
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Land use - Great Britain - Planning |
Land use - Economic aspects - Great Britain |
Land use - Environmental aspects - Great Britain |
Land use, Urban - Government policy - Great Britain |
City planning - Great Britain |
Real estate development - Great Britain |
Economics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"RICS Foundation" -- Cover. |
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Nota di bibliografia |
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Includes bibliographical references (p. [199]-206) and index. |
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Nota di contenuto |
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Market failure and welfare economics : a justification for intervention -- Evaluation and planning -- Controlling the density of development -- Zoning and conservation -- Green belts, growth controls, and urban growth boundaries -- Planning and the land market -- The division of the spoils : profits, planning, gain, premium seeking and taxation -- Impact fees -- The economic consequences of higher land values -- The macroeconomic effects of planning constraints -- Methods of planning -- Politics, public choice, and political economy. |
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Sommario/riassunto |
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The book's aim is to draw together the economics literature relating to planning and set it out systematically. It analyses the economics of land use planning and the relationship between economics and planning and |
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addresses questions like: What are the limits of land use planning and the extent of its objectives?; Is the aim aesthetic?; Is it efficiency?; Is it to ensure equity?; Or sustainability?; And if all of these aims, how should one be balanced against another? |
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2. |
Record Nr. |
UNINA9910151739503321 |
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Autore |
Queyras Sina <1963-> |
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Titolo |
Barking & Biting : The Poetry of Sina Queyras / / selected with an introduction by Erin Wunker and an afterword by Sina Queyras |
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Pubbl/distr/stampa |
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Waterloo, Ontario : , : Wilfrid Laurier University Press, , 2016 |
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©2016 |
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ISBN |
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Descrizione fisica |
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1 online resource (88 pages) |
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Collana |
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Disciplina |
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Soggetti |
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Canadian poetry - 21st century |
Canadian poetry |
POETRY / Canadian |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Front Matter -- Table of Contents -- Foreword -- Biographical Note -- Of Genre, Gender, and Genealogy: The Poetry of Sina Queyras -- Slip -- Teethmarks -- Lemon Hound -- Expressway -- MxT -- "Lyric Conceptualism, A Manifesto in Progress" -- Acknowledgements -- Books in the Laurier Poetry Series |
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Sommario/riassunto |
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This collection brings together representative work from Sina Queyras's poetic oeuvre. Queyras is at the forefront of contemporary discussions of genre, gender, and criticism of poetry. Her influential blog-turned-literary-magazine, Lemon Hound, published up-and-coming writers as well as work by established literary figures in Canada and abroad. The title, Barking & Biting, makes reference to the tagline of Lemon Hound: "more bark than bite." Erin Wunker's introduction situates Queyras's |
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poetry within ongoing debates around genre and gender. It suggests that Queyras's writing, be it literary critical, poetic, or prose, is precise and probing but avoids toothless critical positioning. It pays particular attention to Queyras's poetic innovations and intertextual references to other women writers, and suggests that read together Queyras's oeuvre embodies an engaged feminist attention-what Joan Retallack has called a "poethics," where poetry and ethics are bound together as a mode of inquiry and aesthetics. Queyras's poems trace a consistent concern with both poetic genealogies and the status of women. Thus far, twenty-first century poetics have been preoccupied with two ongoing conversations: the perceived divide between lyric and conceptual writing, and the underrepresentation of women and other non-dominant subjects. While these two topics may seem epistemologically and ethically separate, they are in fact irrevocably intertwined. Questions of form are, at their root, questions of visibility and recognizability. Will the reader know a poem when she sees it? And will that seeing alter her perception of the world? And how is the form of the poem altered, productively or un-, by the identity politics of its author? These are the questions that undergird Queyras's poetry and guide the editorial selections. Queyras's poetics pay dogged attention to questions of both representation and genre. In each of her poetry collections she inhabits tenets of the traditional lyric but leverages the genre open to let conceptualism in. This is demonstrated in her afterword, "Lyric Conceptualism, a Manifesto in Progress," which was first published on the Poetry Foundation's Harriet the Blog. In it Queyras puts forward a set of maxims about the possibilities of a new hybrid, the conceptual lyric poem. |
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