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Record Nr. |
UNISA996208182603316 |
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Titolo |
After the break : television theory today / / edited by Marijke de Valck and Jan Teurlings [[electronic resource]] |
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Pubbl/distr/stampa |
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Amsterdam : , : Amsterdam University Press, , 2013 |
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Descrizione fisica |
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1 online resource (202 pages) : digital, PDF file(s) |
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Collana |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 28 Dec 2020). |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Table of Contents -- After the Break. Television Theory Today / de Valck, Marijke / Teurlings, Jan -- Part I: Questioning the crisis -- 'Unreading' contemporary television / Schwaab, Herbert -- Caught. Critical versus everyday perspectives on television / Hermes, Joke -- The persistence of national TV. Language and cultural proximity in Flemish fiction / Dhoest, Alexander -- Constructing television. Thirty years that froze an otherwise dynamic medium / Uricchio, William -- When old media never stopped being new. Television's history as an ongoing experiment / Keilbach, Judith / Stauff, Markus -- Part II: New paradigms -- Unblackboxing production. What media studies can learn from actor-network theory / Teurlings, Jan -- Convergence thinking, information theory and labour in 'end of television' studies / Hayward, Mark -- Television memory after the end of television history? / Francisco, Juan / Lozano, Gutiérrez -- Part III: New concepts -- YouTube beyond technology and cultural form / van Dijck, José -- Move along folks, just move along, there's nothing to see. Transience, televisuality and the paradox of anamorphosis / Bouman, Margot -- Barry Chappell's Fine Art Showcase. Apparitional TV, aesthetic value, and the art market / White, Mimi -- About the authors -- Index |
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Sommario/riassunto |
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Television is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions, the contributors to |
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this provocative collection examine diverse case studies, including up-to-date scholarship on the current television zeitgeist, nostalgic programming on broadcast television, YouTube, and public television art programming of the 1980s. As a whole, these essays challenge the supposed crisis in television in the light of its burgeoning development. |
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