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Record Nr. |
UNISA996202209303316 |
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Autore |
Connell John <1946, > |
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Titolo |
Sound tracks : popular music, identity and place / / John Connell and Chris Gibson |
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Pubbl/distr/stampa |
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London ; ; New York : , : Routledge, , 2003 |
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ISBN |
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1-134-69912-3 |
1-134-69913-1 |
0-203-44839-1 |
0-203-26929-2 |
1-280-10642-5 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (333 p.) |
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Collana |
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Critical geographies ; ; 17 |
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Classificazione |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Globalization - Social aspects |
Music and geography |
Popular music - Social aspects |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 282-306) and index. |
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Nota di contenuto |
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Book Cover; Title; Contents; List of illustrations; Preface; Acknowledgements; Into the music; Music and place: 'fixing authenticity'; Music and movement: overcoming space; The place of lyrics; Sounds and scenes: a place for music?; Music communities: national identity, ethnicity and place; New worlds: music from the margins?; A world of flows: music, mobility and transnational soundscapes; Aural architecture: the spaces of music; Marketing place: music and tourism; Terra Digitalia? Music, copyright and territory in the information age; The long and winding road; Bibliography; Index |
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Sommario/riassunto |
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Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts.In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly |
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