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Record Nr. |
UNISA996199449403316 |
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Titolo |
1998 IEEE/LEOS summer topical meetings : digest, 20-24 July, 1998, Monterey Plaza Hotel, Monterey, CA |
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Pubbl/distr/stampa |
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[Place of publication not identified], : Institute of Electrical and Electronics Engineers, 1998 |
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Disciplina |
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Soggetti |
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Optical communications |
Optoelectronic devices |
Multiplexing |
Broadband communication systems |
Optical MEMS |
Electrical & Computer Engineering |
Telecommunications |
Engineering & Applied Sciences |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di contenuto |
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Broadband optical networks and technologies. Optical MEMS. Smart pixels. Organic optics and optoelectronics. |
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2. |
Record Nr. |
UNISA996552363703316 |
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Autore |
Hill Tracey |
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Titolo |
Pageantry and power : a cultural history of the early modern Lord Mayor's Show, 1585-1639 / / Tracey Hill |
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Pubbl/distr/stampa |
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Manchester, UK : , : Manchester University Press, , 2017 |
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©2011 |
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ISBN |
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1-5261-2510-2 |
0-7190-8010-X |
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Descrizione fisica |
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1 online resource (xii, 396 pages) : illustrations; digital file(s) |
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Disciplina |
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Soggetti |
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English literature - Early modern, 1500-1700 - History and criticism |
Festivals in literature |
Pageants - England - London - History - 16th century |
Parades - England - London - History - 16th century |
Parades - England - London - History - 17th century |
Literature |
Literary Studies: C 1500 To C 1800 |
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh |
Ireland |
Electronic books. |
London (England) Social life and customs 17th century |
London (England) Social life and customs 16h century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index.. |
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Sommario/riassunto |
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This is the first full and in-depth cultural history of the Lord Mayor's Show in the early modern period. It reveals the lived experience of the shows and sets them in the context of the wider ceremonial culture of early modern England. |
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