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Cover; Copyright; Credits; About the Author; Acknowledgement; About the Reviewers; www.PacktPub.com; Table of Contents; Preface; Chapter 1: Getting Assets into Your Media Composer Project; Introduction; A strategy for project organization at the desktop level; Understanding Media Creation settings; Mixing frame rates; Tape capture tip: Adding Markers while Capturing; Tape capture tip: Making Sub clips while Capturing; Logging clips tip: Logging from the keyboard; Logging clips tip: Keeping the Capture Tool active after logging a clip |
Quickly calculating total duration of clips (or any items in a bin)Combining available drive space and/or controlling where media is stored; Making sure your batch capture continues without you; Modifying clips before capture; Modifying clips after capture: Adding tracks; Modifying clips after capture: Deleting tracks; Capturing and editing at the same time; Preparing to use AMA (Avid Media Access): Getting the plug-ins; AMA (Avid Media Access) Linking; Getting the AMA file's image to display as desired; Consolidating (copying) AMA Master Clips |
Transcoding AMA Master Clips before beginning to edit Transcoding AMA Master Clips after editing has begun; Consolidating an AMA sequence or sub clips; Transcoding an AMA sequence; Importing stills and video files such as QuickTime; Importing audio; Adjusting audio levels before editing; Adjusting audio pan settings before editing; Setting stereo-audio tracks; Chapter 2: Customizing Your Work Environment; Introduction; Settings overview; Creating Site Settings; User Profile Settings - transferring to another workstation; Interface settings; Font size adjustment; Creating Bin views |
Creating Timeline Views Customizing Workspaces; Creating Bin Layouts; Linking Bin Layouts with Workspaces; Linking other settings with Workspaces; Mapping Workspaces and Bin Layouts; Mapping buttons and menu selections; Chapter 3: Polishing Gems; Introduction; Understanding Track Sensitivity; Snapping actions for the Position Indicator and in Segment Mode; Enabling and disabling all Track Selectors from the keyboard; Enabling and disabling Track Selectors using the Shift key plus drag method; Enabling and disabling Track Selectors using the Lasso; Replace Edit: How and why |
Sync Point Editing: How and why Seeing source material in the Timeline Window; Clipboard tips; Using the Match Frame function; Using the Reverse Match Frame function; Setting clip colors in a bin; Setting clip colors in the Timeline Window; Chapter 4: Creating Split Edits; Introduction; Creating a Split Edit with Double Roller or Overwrite Trim; Creating a Split Edit with the Extend function; Creating a Split Edit with Asymmetric Trimming; Chapter 5: Maintaining and Regaining Sync; Introduction; Adding Filler within a sequence with Splice or Overwrite; Adding Filler at the end of a sequence |
Sync Break Indicators: Understanding them and making your own |