Molecular orbital calculations using chemical graph theory / Jerry Ray Dias

• Record Nr.: UNISA990001240040203316
• Autore: DIAS, Jerry Ray
• Pubbl/distr/stampa: Berlin [etc.] : Springer, copyr. 1993
• ISBN: 3-540-56434-X
• Descrizione fisica: XI, 113 p. : ill. ; 24 cm
• Disciplina: 541.28
• Soggetti: Orbitali molecolari; Grafi - Teoria
• Collocazione: 541.28 DIA
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia

Capital and time : a neo Austrian theory / by John Hicks

• Record Nr.: UNISA990005436280203316
• Autore: HICKS, John R.
• Pubbl/distr/stampa: Oxford : Clarendon Press, 1987 - 213 p. ; 22 cm
• Disciplina: 332.04
• Soggetti: Capitale - modelli matematici; Austria - scuole economiche
• Collocazione: 332.0 HIC
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia

Staging Class Conflict in the UK / / Liz Tomlin

• Record Nr.: UNINA9910985882903321
• Autore: Tomlin Liz
• Pubbl/distr/stampa: Cambridge : , : Cambridge University Press, , 2025
• ISBN: 1-009-39426-6; 1-009-39423-1; 1-009-39422-3
• Edizione: [1st ed.]
• Descrizione fisica: 1 online resource (78 pages) : digital, PDF file(s)
• Collana: Elements in Theatre, Performance and the Political
• Disciplina: 306.4848
• Soggetti: Theater - Political aspects
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Title from publisher's bibliographic system (viewed on 14 Mar 2025).
• Nota di bibliografia: Includes bibliographical references.
• Nota di contenuto: 1. Introduction -- 2. Class antagonisms and alliances on the political stage -- 3. Staging the ideological imaginary of deficit -- 4. Artists and agency -- 5. Allyship and antagonism -- 6. Making theatre by making shoes -- References.
• Sommario/riassunto: This Element focuses on the frequent staging of the most precarious ; fraction of the working class in the context of a theatre industry, academy and audiences that are dominated by the cultural fraction of the middle class. It interrogates the staging of an abjectified figure as a means of challenging the stigmatisation of the poor in political discourse, defined here as an ideological imaginary of moral and cultural deficit. The Element argues that in seeking to subvert such an imaginary, theatre that stages the abjectified subject may risk consolidating two further imaginaries of working class deficit that have been confected in political discourse from the 1990s to the 2020s. In conclusion, the Element reflects on the political potential of theatre that rather seeks to eradicate class descriptors, conflicts and hierarchies altogether. This title is also available as Open Access on Cambridge Core.