1.

Record Nr.

UNINA990004300700403321

Autore

Canavaggio, Jean

Titolo

Cervantès dramaturge : un théâtre à naître

Pubbl/distr/stampa

[Paris] : Presses universitaires de France, 1977

Descrizione fisica

507 p. ; 24 cm

Disciplina

863.3

Locazione

FLFBC

Collocazione

863.3 CERV/S 111

Lingua di pubblicazione

Francese

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNISA990003468770203316

Titolo

The new multilateralism in south african diplomacy / edited by Donna Lee, Ian Taylor, Paul D. Williams

Pubbl/distr/stampa

Houndmills ; New York : Palgrave, 2006

Descrizione fisica

X, 222 p. ; 21 cm

Collana

Studies in diplomacy and international relations

Disciplina

327.68

Soggetti

Sudafrica - Relazioni internazionali - 1994-2003

Collocazione

327.68 NEW 1

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia



3.

Record Nr.

UNINA9910795437503321

Autore

King Rachael Scarborough

Titolo

Writing to the world : letters and the origins of modern print genres / / Rachael Scarborough King

Pubbl/distr/stampa

Baltimore : , : Johns Hopkins University Press, , [2018]

©2018

ISBN

1-4214-2549-1

Edizione

[1st ed.]

Descrizione fisica

1 online resource (272 pages) : illustrations

Disciplina

809.6

Soggetti

Printing - History

Books and reading - History

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Circulating news : letters in manuscript and print, 1665-1695 -- Questions and answers : epistolary exchange and the early periodical press -- Open letters : personal politics in the epistolary novel -- A new world : biographical writing and epistolary evidence -- Leaving "the world" : the decline of the epistolary novel from Burney to Austen.

Sommario/riassunto

In Writing to the World, Rachael Scarborough King examines the shift from manuscript to print media culture in the long eighteenth century. She introduces the concept of the "bridge genre," which enables such change by transferring existing textual conventions to emerging modes of composition and circulation. She draws on this concept to reveal how four crucial genres that emerged during this time--the newspaper, the periodical, the novel, and the biography--were united by their reliance on letters to accustom readers to these new forms of print media. King explains that as newspapers, scientific journals, book reviews, and other new genres began to circulate widely, much of their form and content was borrowed from letters, allowing for easier access to these unfamiliar modes of printing and reading texts. Arguing that bridge genres encouraged people to see themselves as connected by networks of communication--as members of what they called "the world" of writing--King combines techniques of genre theory with archival research and literary interpretation, analyzing canonical works such as Addison and Steele's Spectator, Samuel Johnson's Lives of the Poets,



and Jane Austen's Northanger Abbey alongside anonymous periodicals and the letters of middle-class housewives. This original and groundbreaking work in media and literary history offers a model for the process of genre formation. Ultimately, Writing to the World is a sophisticated look at the intersection of print and the public sphere.