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1. |
Record Nr. |
UNISA990003467410203316 |
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Autore |
EMMER, Michele |
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Titolo |
Bolle di sapone : tra arte e matematica / Michele Emmer |
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Pubbl/distr/stampa |
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Torino : Bollati Boringhieri, 2009 |
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ISBN |
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Descrizione fisica |
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301 p. : ill. ; 22 x 21 cm |
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Collana |
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Disciplina |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910462588703321 |
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Titolo |
Voicing psychotic experiences : a reconsideration of recovery and diversity / / edited by Ruth Chandler and Mark Hayward |
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Pubbl/distr/stampa |
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Brighton : , : OLM-Pavilion, , [2009] |
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©2009 |
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ISBN |
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1-908993-86-3 |
1-908993-01-4 |
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Descrizione fisica |
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1 online resource (279 p.) |
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Altri autori (Persone) |
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Soggetti |
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Psychoses |
Psychoses - Treatment |
Psychoses - Patients - Rehabilitation |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Cover; Copyright; Contents; Foreword; Notes on the contributors; Acknowledgements; Introduction; Chapter 1 Shirley's legs; Chapter 2 Discovering me; Chapter 3 How I gained and continue to maintain my well-being - the fear is often worse than the reality; Chapter 4 Thank God for the trees; Chapter 5 The Subterranean lift; Chapter 6 Pause for thought; Chapter 7 Recovery from schizophrenia? A carer's perspective; Chapter 8 Lying on a mattress on the floor; Chapter 9 Recovery - adventures in being; Chapter 10 Re-covering recovery: dancing with difference in the hope of the yet to come; Conclusion |
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Sommario/riassunto |
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Voicing Psychotic Experiences explores the process of recovery from psychosis, although is applicable to recovery from all mental health problems, by looking at definitions, research, diversity and personal experiences. This handbook presents a series of recovery narratives with the aim of giving an insight into the process of recovery with each chapter clearly pulling out 'lessons learnt' for practice. The authors challenge the notion that one single model of recovery can be an adequate operational model and they instead offer a qualitative evidence base for understanding psychotic experie |
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3. |
Record Nr. |
UNINA9910791191603321 |
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Autore |
de Goncourt Edmond |
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Titolo |
Hokusai / / Edmond de Goncourt |
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Pubbl/distr/stampa |
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New York : , : Parkstone Press International, , [2014] |
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©[2014] |
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ISBN |
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1-78310-913-0 |
1-78310-914-9 |
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Descrizione fisica |
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1 online resource (512 p.) |
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Disciplina |
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Soggetti |
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Color prints, Japanese - Edo period, 1600-1868 |
Printmakers - Japan |
Wood-engraving, Japanese - Edo period, 1600-1868 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Inhalt; Vorwort; I. Leben; II. Surimonos, Gelbe Bücher undIllustrierte Romane; 1. Surimonos; 2. Gelbe Bücher; 3. Illustrierte Romane; III. Manga und Zeichenbücher; 1. Manga; 2. Zeichenbücher; 3. Zeichenbücher in Farbe; IV. Gedichtbände, Holzschnitte,Drucke und andere Werke; 1. Kyoka-Poesiealben mit Farbtafeln; 2. Zeichenalben; 3. Einzelne Blätter (Abdrucke); 4. Kakemono und Makimono; 5. Fächer, Stellschirme, Paravents; 6. Skizzenbücher; 7. Shunga (Frühlingsbilder); 8. Andere von Hokusai illustrierte Werke; 9. Verschiedene Werke mit Zeichnungenvon Hokusai; Biografie; Glossar |
Abbildungsverzeichnis |
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Sommario/riassunto |
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Katsushika Hokusai (1760-1849) ist mit seinen eleganten Gemälden und meisterhaften Holzschnitten der international renommierteste Künstler Japans. Als ein Meister der Ukiyo-e-Kunst transferierte er alleine diese Kunstform von einem einfachen, auf Abbildungen von Kurtisanen und berühmten Schauspielern fokussierten Stil zu einem gehobeneren Stil, der die Schönheit der Natur durch Landschaften und Tierwelten darstellt. Der Stil und die Gegenstände in seiner Kunst entwickelten sich so oft weiter, wie er seinen Namen änderte. Aber Hokusais künstlerisches Talent blieb beständig, und er hatte eine ei |
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