1.

Record Nr.

UNISA990003321770203316

Autore

GIUA, Michele

Titolo

Vol. 1: / Michele Giua

Pubbl/distr/stampa

Firenze : UTET-Sansoni Ed. Scientifiche, 1972

Descrizione fisica

XXI, 949 p. : ill. graf. tav. ; 24 cm

Collana

Trattato di chimica industriale ; 1

Collocazione

661 GIU (1)

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNISA996309148203316

Autore

Trenos Helen

Titolo

Creativity : the actor in performance / / Helen Trenos; managing editor Monika Michalowicz

Pubbl/distr/stampa

Warsaw, [Poland] ; ; Berlin, [Germany] : , : De Gruyter Open, , 2014

©2014

ISBN

3-11-042738-9

3-11-040210-6

Descrizione fisica

1 online resource (93 pages)

Disciplina

153.35

Soggetti

Creation (Literary, artistic, etc.)

Creative ability

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Front matter -- Contents -- List of CREATICS Exercises -- Introduction -- 1 Creativity and Acting -- 2 What is Acting? -- 3 Stanislavsky: Guru and Villain -- 4 CREATICS: Performance-Oriented Training -- References -- Index



Sommario/riassunto

Creativity: the Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts-in performance. But, as actors know, performance is a thing unto itself-something is going to have to happen out there beyond anything that happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance.   An historical account of the emergence and development of one of the most generative concepts of our times - creativity - provides a theoretical backdrop to a critical discussion of the creativity of acting - a discussion that includes analyses of Denis Diderot, George Henry Lewes, William Archer, Konstantin Stanislavsky, Michael Chekhov, Michel Saint-Denis, Zeami and Eugenio Barba. Creativity: the actor in performance concludes by offering a detailed rationale for performance-oriented actor training, offering examples of workshop exercises (CREATICS) which focus on developing four main competencies crucial for successful and creative performances: situation awareness, audience awareness, divided consciousness and presence.

3.

Record Nr.

UNINA9910524668303321

Autore

Chitiga Rudo

Titolo

Strengthening Popular Participation in the African Union : A Guide to AU Structures and Processes

Pubbl/distr/stampa

Somerset West, South Africa : , : Distributed by African Minds, , 2010

©2010

ISBN

9781920489755

1920489754

9781283637800

1283637804

9781920489779

1920489770

Edizione

[2nd imp. with minor corrections.]

Descrizione fisica

1 online resource (76 p.)

Altri autori (Persone)

ManbyBronwen

Soggetti

Non-governmental organizations - Africa

Electronic books.

Africa Politics and government

Lingua di pubblicazione

Inglese



Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

"Researched and written by Rudo Chitiga ... and Bronwen Manby"--P. v.

Nota di contenuto

Introduction : the purpose of this guide -- AU organs & institutions -- Influencing AU decisions & policies -- The union government debate -- Appendix 1. AU regions -- Appendix 2. Regional economic communities recognised by the African Union -- Appendix 3. Useful websites and contacts.

Sommario/riassunto

The African Union (AU) has committed to a vision of Africa that is 'integrated, prosperous and peaceful - driven by its own citizens, a dynamic force in the global arena' (Vision and Mission of the African Union, May 2004). This guide is an effort to take up the challenge of achieving this vision. It is a tool to assist activists to engage with AU policies and programmes. It describes the AU decision-making process and outlines the roles and responsibilities of the AU institutions. It also contains a sampling of the experiences of those non-governmental organisations (NGOs) that have interacted with the AU.