1.

Record Nr.

UNISA990003242220203316

Autore

MASSART, Jean

Titolo

Vol. 3: Calcul intégral / Jean Massart

Pubbl/distr/stampa

Paris : Dunod, 1970

Descrizione fisica

X, 276 p.. : ill. ; 24 cm

Disciplina

515

Soggetti

Analisi matematica

Collocazione

515 MAS/3 A

Lingua di pubblicazione

Francese

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9911026067903321

Autore

Worley Matthew

Titolo

Zerox Machine : Punk, Post-Punk and Fanzines in Britain, 1976-1988

Pubbl/distr/stampa

London : , : Reaktion Books, Limited, , 2024

©2024

ISBN

9781789149074

178914907X

Edizione

[1st ed.]

Descrizione fisica

1 online resource (361 pages)

Disciplina

305.235094109047

Soggetti

Fan magazines

Punk culture

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di contenuto

Cover -- Praise for Zerox Machine -- Title Page -- Copyright -- Contents -- Intro: I Want You, Autonomy: The Becoming of Punk’s Fanzines to 1976 -- Part One: Viva La Rock ’n’ Roll: Punk Fanzines,



1976–8 --   1. The Image Has Cracked: ‘London’ Fanzines --   2. Good Missionaries: Proselytizing the Provinces -- Part Two: The Medium Was Tedium? Punk and ‘Post-Punk’ Fanzines, 1978–80 --   3. Occupied Territory: Punk-Related Fanzines --   4. Paradise Lost: Art and Politics -- Part Three: Heard Too Much About: Punk and ‘PUNK-RELATED’ Fanzines, 1980–82 --   5. Rival Tribal Rebel Revel: Fanzines Fragment --   6. Don’t Tell Me You Care: Fanzines and Politics -- Part Four: You’ve Got Everything Now: Punk-Informed Fanzines, 1982–5 --   7. Is It Really So Strange? Fanzines, Functions and Formats --   8. Oscillate Wildly: Fanzines and Post-Punk Culture -- Outro: My Little Underground: Fanzine Debate and Fanzine Reinvigoration, 1984–8 -- References -- Select Bibliography -- Acknowledgements -- Photo Acknowledgements -- Index

Sommario/riassunto

Zerox Machine by Matthew Worley offers a comprehensive exploration of the punk and post-punk fanzine culture in Britain from 1976 to 1988. The book investigates the vibrant, DIY ethos that characterized this underground movement, emphasizing the passion and creativity of fanzine creators and their impact on music and popular culture. Through meticulous research and analysis, Worley examines the role of fanzines in reflecting and influencing the punk scene, providing a platform for diverse voices and alternative media. The book serves as both a historical account and a tribute to the art form, highlighting its significance in cultural history.