| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNISA990003010730203316 |
|
|
Titolo |
La constitution belge et ses lois d'application : edition a jour en septembre 1987 |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Bruxelles : Bruylant, 1987 |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Collana |
|
Droit public / Centre d'etudesconstitutionnelles et administratives |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
|
|
|
|
|
Collocazione |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
2. |
Record Nr. |
UNISA996213071003316 |
|
|
Autore |
Carroll Noël <1947-> |
|
|
Titolo |
Comedy incarnate [[electronic resource] ] : Buster Keaton, physical humour and bodily coping / / Noe l Carroll |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Oxford, : Blackwell, 2006 |
|
|
|
|
|
|
|
ISBN |
|
1-280-74893-1 |
9786610748938 |
0-470-76501-1 |
0-470-75493-1 |
1-4051-7188-X |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (188 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
|
|
Soggetti |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping; Contents; Acknowledgments; Introduction: The Phenomenological Background; 1 Themes of The General; 2 Style in The General; 3 Keaton, Chaplin, Lloyd, and Langdon; Summary; Appendix: Narration in Keaton's The General; Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
In Comedy Incarnate, Noël Carroll surveys the characteristics of Buster Keaton's unique visual style, to reveal the distinctive experience of watching Keaton's films. Bold and provocative thesis written by one of America's foremost film theoristsTakes a unique look at the philosophies behind Keaton's styleWeighs visual elements over narrative form in the analysis of the Keaton's workProvides a fresh vantage point for analysis of film and comedy itself |
|
|
|
|
|
|
|
| |