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1. |
Record Nr. |
UNINA990009303650403321 |
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Autore |
Degli Esposti, Piergiorgio |
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Titolo |
Il cibo dalla modernità alla postmodernità : Piergiorgio Degli Esposti / prefazione di Egeria Di Nallo |
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Pubbl/distr/stampa |
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Milano : FrancoAngeli, 2004 |
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ISBN |
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Descrizione fisica |
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Collana |
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Consumo, comunicazione, innovazione ; 10 |
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Disciplina |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Comtiene bibl. (pp. 127-134) |
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2. |
Record Nr. |
UNISA990002974190203316 |
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Autore |
ADAMS, Robert P. |
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Titolo |
Identification of essential oil components by gas chromatography : mass spectroscopy / Robert P. Adams |
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Pubbl/distr/stampa |
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Carol Stream [Illinois] : Allured Publ., copyr. 2007 |
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ISBN |
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Edizione |
[4. ed.] |
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Descrizione fisica |
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VIII, 804 p. : ill. ; 24 cm |
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Disciplina |
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Soggetti |
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Olii essenziali - Analisi spettroscopica |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910141165603321 |
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Autore |
Tselichtchev Ivan |
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Titolo |
China versus the West [[electronic resource] ] : the global power shift of the 21st century / / Ivan Tselichtchev |
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Pubbl/distr/stampa |
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ISBN |
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1-119-19931-X |
1-283-39739-0 |
9786613397393 |
0-470-82974-5 |
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Edizione |
[1st edition] |
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Descrizione fisica |
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1 online resource (257 p.) |
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Disciplina |
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Soggetti |
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International economic relations |
China Economic conditions |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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China Versus the West: The Global Power Shift of the 21st Century; Contents; Foreword by Yang Yongxin; Preface; Acknowledgments; Introduction by Frank-Jürgen Richter; Part One: China as the World's Leading Producing, Exporting, and Financial Power: To What Extent, Where, and Why?; Chapter 1: GDP: Toward the U.S.-China Duopoly; Notes; Chapter 2: Manufacturing Output: China Is Already the Number One; Note; Chapter 3: Merchandise Exports: From China's Lead to China's Dominance?; Chapter 4: Where China Is Leading and Where It Is Not |
Group One Industries: China Is the Top Producer and the Top Exporter Group Two Industries: China Is the Top Producer, but Not the Top Exporter; Group Three Industries: China Is Neither the Top Producer Nor a Major Exporter; Key Features of China's Manufacturing Lead; Anatomy of China's Merchandise Trade Surplus; Net Exporter and Net Importer Sectors; Domestic Private Companies Have Become the Major Surplus Creators; Note; Chapter 5: Chinese Domestic Manufacturers versus Western Manufacturers; The Four Segments Analytical Framework; Chinese Manufacturers' Global Offensive: Four Stages |
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Western Manufacturers: A New Way of Thinking Is Required Option One: Stay at Home and Differentiate the Product; Option Two: Move to China; Western Governments Have to Initiate an Export Counteroffensive; Chapter 6: A Big Battle for the Chinese Market; China-Bound Exports of Capital Goods: East Asia Is Leading; China-Bound Exports of Consumer Goods: Opportunities Are There, but You Have to Work Hard Not to Miss Them; China Trap; At-Home Chinese Companies Are Active in the High-End Niche; Competition with Domestic Capital Goods Makers Is Getting Really Tough |
Chapter 7: Global Services Market: The West's Edge and China as Number Five China Joins the Ranks of Leading Services Exporters, but the United States Is Far Ahead; China's Trade Deficit; China Has a Structural Weakness in Services That Is Difficult to Overcome; The U.S. and EU Surpluses in the Services Trade with China Are Meager; The Right Time to Capture the Chinese Market; Note; Chapter 8: Is China a New Financial Superpower?; China's Overseas Assets; 3 Trillion-Plus Foreign Reserves: Implications for China and for the West |
China Has Become the Largest International Lender for Developing Countries China's Outbound Foreign Investment: Accelerating, but the Lag Remains; Chinese Households' Financial Assets: Still Tiny; Is China a New Financial Superpower? Yes and No; Conclusions; Part Two: The Global Downturn and Beyond: Western Capitalism and Chinese Capitalism; Chapter 9: The Global Crisis Was Not Really Global; Chapter 10: Western Crisis: Three Major Factors; Unaffordable Consumption and Households Deeper in Debt; Gambling Capitalism; The Failure of State Regulation, Corporate Governance, and Business Morality |
Chapter 11: Still, Western Capitalism Is Alive, But. . . . |
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Sommario/riassunto |
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China Versus the West is an innovative book. The author, a leading specialist on the international and Asian economy and business, presents the most comprehensive picture of the changing power balance between the emerging superpower China and the ""old"" developed economies of the West: mainly the US, Europe and Japan. The reader can clearly see in what areas and to what extent China has become the world leader, in what areas it is catching up and in what areas the West retains its superiority and has a chance to strengthen it further. At the same time, I. Tselichtchev unveil |
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4. |
Record Nr. |
UNINA9910166056203321 |
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Autore |
Wehren Julia <p>Julia Wehren, Universität Bern, Schweiz </p> |
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Titolo |
Körper als Archiv in Bewegung : Choreografie als historiografische Praxis / Julia Wehren |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2016 |
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ISBN |
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9783837630008 |
3837630005 |
9783839430002 |
3839430003 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (271 pages) : illustrations; digital, PDF file(s) |
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Collana |
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Classificazione |
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Disciplina |
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Soggetti |
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Tanz |
Dance |
Körper |
Body |
Archiv |
Archive |
Historiography |
Historiografie |
Reenactment |
Choreografie |
Choreography |
Theaterwissenschaft |
Theatre Studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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The history of dance as the history of the body: how choreographies sketch out new modes of writing the history of dance, and how they expand the archive of dance in the process. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Frontmatter 1 Inhalt 5 Einleitung 11 Imagination: histoire(s) von Olga de Soto 29 Historiografische Praktiken in der Choreografie 37 (Selbst-)Reflexion im zeitgenössischen Tanz 53 |
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Positionsbestimmungen in der Gegenwart 67 Zum Paradigma der Flüchtigkeit 97 Dokumente und Dokumentationen von Tanz 111 Zum Potential des Bleibenden: Rebecca Schneider 123 Transformation: Mimésix von Foofwa d'Imobilité und Thomas Lebrun 133 Körper und Gedächtnis 147 Körper und Archiv 161 Artikulation: Die Flip Book-Reihe von Boris Charmatz 169 Tanz als Wissensformation 179 Geschichtsschreibung im Tanz 195 Geschichte als Erzählung 205 Zugänge und Ordnungsmuster 213 Rollenbild und Forschungspraxis 233 Schluss und Ausblick: Choreografie als Historiografie 239 Bibliografie 247 Backmatter 272 |
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Sommario/riassunto |
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Wer schreibt die Tanzgeschichte und aufgrund von welchen Annahmen und Interessen? Wie findet Erinnerung Eingang in historiografische Prozesse und welche Rolle spielt dabei der Körper? Diese Fragen prägen seit den 1990er-Jahren die europäische Tanzszene und bilden Anlass für eine grundlegende Revision der Tanzgeschichtsschreibung. Ausgehend von Arbeiten u.a. von Boris Charmatz, Olga de Soto, Foofwa d'Imobilité und Thomas Lebrun, entwirft Julia Wehren das Konzept der »choreografischen Historiografien«. Sie hält der Flüchtigkeit des Tanzes seine Geschichtlichkeit entgegen und plädiert für eine Erweiterung des Archivs um den Körper in Bewegung. |
»Das Buch [kann] mit Gewinn als Einführung in ein weitverzweigtes Gebiet gelesen werden, an dem die Tanzwissenschaft seit Mitte der 1990er Jahre sehr interessiert ist und mit dem sich Wehren produktiv auseinandersetzt.« |
»Das Buch entwickelt in anschaulicher Darstellung ein Konzept der Tanzhistoriografie, dass die Entwicklungen seit den 1990er Jahren berücksichtigt und zu einer systematischen Betrachtung dieses Phänomens auffordert, das sich durch Tourneetätigkeit und Institutionalisierung immer noch und weiterhin in einem fortwährenden Entwicklungsprozess befindet.« |
Besprochen in:KunstKulturLifestyle, 18.05.2016Up To Dance, 4 (2016)Auskunft, 37/1 (2017), Assia M. Harwazinski |
»[Der Autorin] gelingt nicht nur ein präziser Überblick über die wichtigsten Ansätze tanzwissenschaftlicher Archivforschung. Vielmehr verankert sie den tanzenden Körper selbst ganz explizit als das zentrale Archiv schlechthin.« |
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