1.

Record Nr.

UNINA990009303650403321

Autore

Degli Esposti, Piergiorgio

Titolo

Il cibo dalla modernità alla postmodernità : Piergiorgio Degli Esposti / prefazione di Egeria Di Nallo

Pubbl/distr/stampa

Milano : FrancoAngeli, 2004

ISBN

88-464-6146-0

Descrizione fisica

134 p. ; 24 cm

Collana

Consumo, comunicazione, innovazione ; 10

Disciplina

394.1

Locazione

BFS

Collocazione

394.1 DEG 1

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Comtiene bibl. (pp. 127-134)



2.

Record Nr.

UNISA990002974190203316

Autore

ADAMS, Robert P.

Titolo

Identification of essential oil components by gas chromatography : mass spectroscopy / Robert P. Adams

Pubbl/distr/stampa

Carol Stream [Illinois] : Allured Publ., copyr. 2007

ISBN

978-1-932633-21-4

Edizione

[4. ed.]

Descrizione fisica

VIII, 804 p. : ill. ; 24 cm

Disciplina

547.71

Soggetti

Olii essenziali - Analisi spettroscopica

Collocazione

547.71 ADA A

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia



3.

Record Nr.

UNINA9910141165603321

Autore

Tselichtchev Ivan

Titolo

China versus the West [[electronic resource] ] : the global power shift of the 21st century / / Ivan Tselichtchev

Pubbl/distr/stampa

Singapore, : Wiley, 2012

ISBN

1-119-19931-X

1-283-39739-0

9786613397393

0-470-82974-5

Edizione

[1st edition]

Descrizione fisica

1 online resource (257 p.)

Disciplina

332.042

337

Soggetti

International economic relations

China Economic conditions

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

China Versus the West: The Global Power Shift of the 21st Century; Contents; Foreword by Yang Yongxin; Preface; Acknowledgments; Introduction by Frank-Jürgen Richter; Part One: China as the World's Leading Producing, Exporting, and Financial Power: To What Extent, Where, and Why?; Chapter 1: GDP: Toward the U.S.-China Duopoly; Notes; Chapter 2: Manufacturing Output: China Is Already the Number One; Note; Chapter 3: Merchandise Exports: From China's Lead to China's Dominance?; Chapter 4: Where China Is Leading and Where It Is Not

Group One Industries: China Is the Top Producer and the Top Exporter Group Two Industries: China Is the Top Producer, but Not the Top Exporter; Group Three Industries: China Is Neither the Top Producer Nor a Major Exporter; Key Features of China's Manufacturing Lead; Anatomy of China's Merchandise Trade Surplus; Net Exporter and Net Importer Sectors; Domestic Private Companies Have Become the Major Surplus Creators; Note; Chapter 5: Chinese Domestic Manufacturers versus Western Manufacturers; The Four Segments Analytical Framework; Chinese Manufacturers' Global Offensive: Four Stages



Western Manufacturers: A New Way of Thinking Is Required Option One: Stay at Home and Differentiate the Product; Option Two: Move to China; Western Governments Have to Initiate an Export Counteroffensive; Chapter 6: A Big Battle for the Chinese Market; China-Bound Exports of Capital Goods: East Asia Is Leading; China-Bound Exports of Consumer Goods: Opportunities Are There, but You Have to Work Hard Not to Miss Them; China Trap; At-Home Chinese Companies Are Active in the High-End Niche; Competition with Domestic Capital Goods Makers Is Getting Really Tough

Chapter 7: Global Services Market: The West's Edge and China as Number Five China Joins the Ranks of Leading Services Exporters, but the United States Is Far Ahead; China's Trade Deficit; China Has a Structural Weakness in Services That Is Difficult to Overcome; The U.S. and EU Surpluses in the Services Trade with China Are Meager; The Right Time to Capture the Chinese Market; Note; Chapter 8: Is China a New Financial Superpower?; China's Overseas Assets; 3 Trillion-Plus Foreign Reserves: Implications for China and for the West

China Has Become the Largest International Lender for Developing Countries China's Outbound Foreign Investment: Accelerating, but the Lag Remains; Chinese Households' Financial Assets: Still Tiny; Is China a New Financial Superpower? Yes and No; Conclusions; Part Two: The Global Downturn and Beyond: Western Capitalism and Chinese Capitalism; Chapter 9: The Global Crisis Was Not Really Global; Chapter 10: Western Crisis: Three Major Factors; Unaffordable Consumption and Households Deeper in Debt; Gambling Capitalism; The Failure of State Regulation, Corporate Governance, and Business Morality

Chapter 11: Still, Western Capitalism Is Alive, But. . . .

Sommario/riassunto

China Versus the West is an innovative book. The author, a leading specialist on the international and Asian economy and business, presents the most comprehensive picture of the changing power balance between the emerging superpower China and the ""old"" developed economies of the West: mainly the US, Europe and Japan. The reader can clearly see in what areas and to what extent China has become the world leader, in what areas it is catching up and in what areas the West retains its superiority and has a chance to strengthen it further. At the same time, I. Tselichtchev unveil



4.

Record Nr.

UNINA9910166056203321

Autore

Wehren Julia <p>Julia Wehren, Universität Bern, Schweiz </p>

Titolo

Körper als Archiv in Bewegung : Choreografie als historiografische Praxis / Julia Wehren

Pubbl/distr/stampa

Bielefeld, : transcript Verlag, 2016

ISBN

9783837630008

3837630005

9783839430002

3839430003

Edizione

[1st ed.]

Descrizione fisica

1 online resource (271 pages) : illustrations; digital, PDF file(s)

Collana

TanzScripte

Classificazione

AP 84500

Disciplina

GV1782.5

792.82

Soggetti

Tanz

Dance

Körper

Body

Archiv

Archive

Historiography

Historiografie

Reenactment

Choreografie

Choreography

Theaterwissenschaft

Theatre Studies

Lingua di pubblicazione

Tedesco

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

The history of dance as the history of the body: how choreographies sketch out new modes of writing the history of dance, and how they expand the archive of dance in the process.

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

Frontmatter    1 Inhalt    5 Einleitung    11 Imagination: histoire(s) von Olga de Soto    29 Historiografische Praktiken in der Choreografie    37 (Selbst-)Reflexion im zeitgenössischen Tanz    53



Positionsbestimmungen in der Gegenwart    67 Zum Paradigma der Flüchtigkeit    97 Dokumente und Dokumentationen von Tanz    111 Zum Potential des Bleibenden: Rebecca Schneider    123 Transformation: Mimésix von Foofwa d'Imobilité und Thomas Lebrun    133 Körper und Gedächtnis    147 Körper und Archiv    161 Artikulation: Die Flip Book-Reihe von Boris Charmatz    169 Tanz als Wissensformation    179 Geschichtsschreibung im Tanz    195 Geschichte als Erzählung    205 Zugänge und Ordnungsmuster    213 Rollenbild und Forschungspraxis    233 Schluss und Ausblick: Choreografie als Historiografie    239 Bibliografie    247 Backmatter    272

Sommario/riassunto

Wer schreibt die Tanzgeschichte und aufgrund von welchen Annahmen und Interessen? Wie findet Erinnerung Eingang in historiografische Prozesse und welche Rolle spielt dabei der Körper? Diese Fragen prägen seit den 1990er-Jahren die europäische Tanzszene und bilden Anlass für eine grundlegende Revision der Tanzgeschichtsschreibung. Ausgehend von Arbeiten u.a. von Boris Charmatz, Olga de Soto, Foofwa d'Imobilité und Thomas Lebrun, entwirft Julia Wehren das Konzept der »choreografischen Historiografien«. Sie hält der Flüchtigkeit des Tanzes seine Geschichtlichkeit entgegen und plädiert für eine Erweiterung des Archivs um den Körper in Bewegung.

»Das Buch [kann] mit Gewinn als Einführung in ein weitverzweigtes Gebiet gelesen werden, an dem die Tanzwissenschaft seit Mitte der 1990er Jahre sehr interessiert ist und mit dem sich Wehren produktiv auseinandersetzt.«

»Das Buch entwickelt in anschaulicher Darstellung ein Konzept der Tanzhistoriografie, dass die Entwicklungen seit den 1990er Jahren berücksichtigt und zu einer systematischen Betrachtung dieses Phänomens auffordert, das sich durch Tourneetätigkeit und Institutionalisierung immer noch und weiterhin in einem fortwährenden Entwicklungsprozess befindet.«

Besprochen in:KunstKulturLifestyle, 18.05.2016Up To Dance, 4 (2016)Auskunft, 37/1 (2017), Assia M. Harwazinski

»[Der Autorin] gelingt nicht nur ein präziser Überblick über die wichtigsten Ansätze tanzwissenschaftlicher Archivforschung. Vielmehr verankert sie den tanzenden Körper selbst ganz explizit als das zentrale Archiv schlechthin.«