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1. |
Record Nr. |
UNISA990002959820203316 |
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Titolo |
Public Key Cryptography - PKC 2004 : 7th International Workshop on Theory and Practice in Public Key Cryptography : Singapore, March, 1-4, 2004 : proceedings / Feng Bao, Robert Deng, Jianying Zhou (eds.) |
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Pubbl/distr/stampa |
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Berlin : Springer, copyr. 2004 |
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ISBN |
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Descrizione fisica |
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Collana |
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Lecture Notes in Computer Science ; 2947 |
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Disciplina |
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Soggetti |
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Crittografia - Congressi - 2005 |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA996552355103316 |
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Autore |
Knowles Kim |
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Titolo |
Cinematic intermediality : theory and practice / / edited by Kim Knowles and Marion Schmid |
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Pubbl/distr/stampa |
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Edinburgh, Scotland : , : Edinburgh University Press, , [2021] |
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ISBN |
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1-4744-9523-0 |
1-4744-4636-1 |
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Descrizione fisica |
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1 online resource (208 pages) : illustrations |
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Collana |
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Edinburgh studies in film and intermediality |
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Disciplina |
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Soggetti |
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Motion pictures and the arts |
Intermediality |
Motion pictures - Criticism and interpretation |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Intro -- Cinematic Intermediality -- Copyright -- Contents -- Figures -- Acknowledgements -- The Contributors -- Introduction -- Part 1 Mapping the Interzone -- 1 Film and Performance: Intermedial Intersections -- 2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004) -- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema -- 4 Dream Screen: On Cinema and Painting, Blur and Absorption -- Part 2 The Intermedial Avant-gardes -- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015 -- 6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings -- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G -- Part 3 Technology, Apparatus, Affect -- 8 Intermediality and the Origins of Cinema -- 9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame -- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine, and Eugène Green, Le Fis de Joseph -- Part 4 Intermedial Creation -- 11 What Does a Dance Filmmaker See? -- 12 Performance, Moving Image, Installation: The Making of Body of War and Faith -- 13 Muybridge's Disobedient Horses: Non-stop Stop-motion -- 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror -- Index. |
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Sommario/riassunto |
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This edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance. |
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