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1. |
Record Nr. |
UNIBAS000020411 |
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Autore |
Loreau, Max |
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Titolo |
De la création : peinture, poésie, philosophie : anthologie / Max Loreau ; lecture d'Eric Clémens |
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Descrizione fisica |
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Collana |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA990002924950203316 |
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Titolo |
Faenza : bollettino del museo internazionale delle ceramiche in fenza : atti del convegno di studi ceramici : per il centenario della nascita di Gaetano Ballardini : Faenza, 28 settembre -1 ottobre 1978 / col patrocinio della Regione Emilia-Romagna |
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Pubbl/distr/stampa |
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[Ravenna] : [s.e.], [s.d.] |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Ceramica - Faenza $$ Atti di congressi |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910462518303321 |
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Autore |
Nissen Christopher |
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Titolo |
Kissing the wild woman : art, beauty, and the reformation of the Italian prose romance in Giulia Bigolina's Urania / / Christopher Nissen |
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Pubbl/distr/stampa |
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Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2011 |
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©2011 |
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ISBN |
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Descrizione fisica |
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1 online resource (342 p.) |
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Collana |
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Toronto Italian studies Kissing the wild woman |
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Disciplina |
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Soggetti |
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Painting in literature |
Aesthetics in literature |
Beauty, Personal, in literature |
Electronic books. |
Italy Civilization 1559-1789 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. The Reformation of the Prose Romance -- 2. Writing a Portrait -- 3. Ekphrasis and the Paragone -- 4. The Sight of the Beautiful -- 5. Kissing the Wild Woman -- Conclusion -- Appendix -- Notes -- Bibliography -- Index |
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Sommario/riassunto |
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Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in which she fashioned a new type of narrative that combined elements of the romance and the novella and included a polemical treatise on the moral implications of portraiture and the role of women in the arts. Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporary writer Pietro |
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Aretino and the painter Titian. Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature. |
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