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1. |
Record Nr. |
UNINA990004723520403321 |
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Titolo |
Handicap e scuola : manuale per l'integrazione scolastica / a cura di Andrea Canevaro |
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Locazione |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA990002772930203316 |
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Autore |
DEVALLE, Alain |
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Titolo |
Il sistema informativo aziendale ed il passaggio agli IAS/IFRS / Alain Devalle |
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Pubbl/distr/stampa |
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Milano : A. Giuffrè, 2006 |
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Descrizione fisica |
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Università degli studi di Torino, Istituto di ragioneria ed economia aziendale . Ser. 2. ; 35 |
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Disciplina |
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Soggetti |
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Contabilità - Diritto internazionale |
Contabilità - Standardizzazione |
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Collocazione |
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XXX.B. Coll. 111/ 17 (X 24 XXI 35) |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910457840203321 |
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Autore |
Nyamnjoh Francis B. <1961-> |
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Titolo |
Mass media & democratisation in Cameroon in the early 1990s [[electronic resource] /] / Francis B. Nyamnjoh |
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Pubbl/distr/stampa |
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Mankon, Bamenda, : Langaa Research & Pub. CIG, 2011 |
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ISBN |
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1-283-22732-0 |
9786613227324 |
9956-717-44-4 |
9956-717-81-9 |
9956-717-07-X |
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Descrizione fisica |
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1 online resource (210 p.) |
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Disciplina |
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Soggetti |
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Mass media - Cameroon |
Democratization - Cameroon |
Electronic books. |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Cover; Title page; Copyright page; Table of Contents; Preface; Introduction; Chapter One - Multiparty-ism in Cameroon; Chapter Two - The Official Media; CRTV and the Democratic Process; CRTV and Anglophone Journalism of Liberation; Cameroon Tribune, SOPECAM and the democratic process; The Official Media and Opposition Politics; Chapter Three - The Legal Framework; Critical Analysis of the Press Law; The Law as interpreted by Government; The Law as Interpreted by the Press; Justifications for Censorship by MINAT; The Law and the Newspaper Vendor; Chapter Four - The Private Press |
The Private Press and the Journalism of Excesses Lack of Professionalism and Adequate Organisation; On the Proliferation of Newspapers; Democracy: Victim of a Sectarian Press?; Journalists and their Problems: Self Diagnosis; After the National Forum on Communication: What Next?; Chapter Five - General Conclusion; What Role have the Media Played in the Current Democratic Process?; How Best Could the Media Contribute to Democratization?; References; Back cover |
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Sommario/riassunto |
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In the on-going democratic debate, the Cameroonian media have not played the role of objective mediators. A one-party logic, of which government, opposition and the public are guilty, has prevented Cameroonian multiparty-ism from addressing the major issue: that of how best to bring about real participatory democracy. So far, democracy has served mainly as a face powder, an empty concept or slogan devoid of concrete meaning used to justify reactionary propaganda by the ruling party and its acolytes on the one hand, and revolutionary propaganda by the opposition and some pressure groups on the |
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4. |
Record Nr. |
UNISA996379039103316 |
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Autore |
Lameris Bregt |
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Titolo |
Film Museum Practice and Film Historiography / Bregt Lameris |
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Pubbl/distr/stampa |
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Amsterdam University Press, 2018 |
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Amsterdam : , : Amsterdam University Press, , [2017] |
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©[2017] |
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ISBN |
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Descrizione fisica |
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1 online resource (271 pages) |
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Collana |
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Disciplina |
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Soggetti |
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Motion pictures - Historiography |
Film archives - Netherlands - Amsterdam - History - 20th century |
Electronic books. |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references (pages 245-260) and index. |
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Nota di contenuto |
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Frontmatter -- TABLE OF CONTENTS -- ACKNOWLEDGEMENTS -- Introduction -- PART I COLLECTIONS -- CHAPTER 1. Private Collectors -- CHAPTER 2. Blind Choices: Parameters and Repetitions -- CHAPTER 3. Eyes Wide Open: Duplicates -- CHAPTER 4. Passive Preservation: An Historical Overview -- CHAPTER 5. Impressions: Restoration of the Film Image -- CHAPTER 6. Reconstructions -- PART III PRESENTATIONS -- CHAPTER 7. Film Museum Exhibition Spaces -- CHAPTER 8. Framing Programmes -- CHAPTER 9. Performances -- Coda: Past Futures, |
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Future Pasts -- NOTES -- BIBLIOGRAPHY -- INDEX |
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Sommario/riassunto |
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Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history. |
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