Vicende della Biblioteca nazionale di Napoli : diario di guerra, 1943-1945 / Guerriera Guerrieri

• Record Nr.: UNISA990002699540203316
• Autore: GUERRIERI, Guerriera
• Pubbl/distr/stampa: Napoli : Industria tipografica artistica, 1980
• Descrizione fisica: 136 p. : ill. ; 25 cm.
• Collana: I quaderni della Biblioteca nazionale di Napoli , Ser. 5 ; 4
• Disciplina: 027.545
• Soggetti: Napoli - Biblioteca nazionale - Storia - 1943-1945
• Collocazione: S XIII b 3
• Lingua di pubblicazione: Italiano
• Formato: Materiale a stampa
• Livello bibliografico: Monografia

The idolatrous eye [[electronic resource] ] : iconoclasm and theater in early-modern England / / Michael O'Connell

• Record Nr.: UNINA9910783673103321
• Autore: O'Connell Michael <1943->
• Pubbl/distr/stampa: New York, : Oxford University Press, 2000
• ISBN: 0-19-773956-3; 1-280-47287-1; 9786610472871; 0-19-534402-2; 1-4237-2916-1
• Descrizione fisica: 1 online resource (209 p.)
• Disciplina: 792/.0942/09031
• Soggetti: Theater - England - History - 16th century; Theater - England - History - 17th century; Theater - Religious aspects; Bible plays - History and criticism; English drama - Early modern and Elizabethan, 1500-1600 - History and criticism; European drama - Renaissance, 1450-1600 - History and criticism
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references (p. 177-187) and index.
• Nota di contenuto: Contents; Introduction; ONE: Theater and the Devil's Teats; TWO: Word against Image: The Context of Iconoclasm; THREE: God's Body and Incarnational Drama; FOUR: The Textualization of God's Body; FIVE: ""Let the Audience Look to Their Eyes"": Jonson and Shakespeare; Notes; Bibliography; Index
• Sommario/riassunto: Michael O'Connell shows that Reformation culture was preoccupied with idolatry and that the theatre was attacked as idolatrous. This anti-theatricalism targeted the traditional mystery plays. The text aims to explain what this meant for the secular theatre that followed.