| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNISA990002292720203316 |
|
|
Titolo |
Per la critica dell'Università / a cura di Carlo Donolo ; scritti di Habermas ... [et al.] |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Università - Germania <Repubblica federale> |
|
|
|
|
|
|
Collocazione |
|
XXX.A. Coll. 30/ 16 (Coll CU 21) |
XV.15. 7 |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
2. |
Record Nr. |
UNISA996390660303316 |
|
|
Autore |
Crowley Robert <1518?-1588.> |
|
|
Titolo |
The way to wealth [[electronic resource] ] : wherein is plainly taught a most present remedy for sedicion. Wrytten and imprinted by Robert Crowley the .vii. of Februarye in the yere of our Lorde. a thousand fiue hu[n]derd [et] fiftie. In Elie rentes in Holburne cum priuilegio ad imprimendum solum |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
[London, : Printed by S. Mierdman for Robert Crowley, 1550] |
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Soggetti |
|
Great Britain Social conditions Early works to 1800 |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
The period after "fiftie" on the title page is actually three dots within round brackets. |
Printer's name from STC. |
|
|
|
|
|
|
|
|
|
|
|
|
|
Signatures: A-B. |
Reproduction of the original in the British Library. |
|
|
|
|
|
|
Sommario/riassunto |
|
|
|
|
|
|
3. |
Record Nr. |
UNINA9910793600203321 |
|
|
Autore |
Beasley Chris |
|
|
Titolo |
The cultural politics of contemporary Hollywood film : power, culture, and society / / Chris Beasley and Heather Brook |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Manchester, UK : , : Manchester University Press, , 2019 |
|
©2019 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (xi, 367 pages) : digital file(s) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Politics in motion pictures |
Motion pictures - California - Los Angeles - History - 20th century |
Motion pictures - California - Los Angeles - History - 21st century |
Film and Media |
Film Theory & Criticism |
PERFORMING ARTS / Film / History & Criticism |
United States |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references (pages 292-337), filmography (pages 338-359), and index. |
|
|
|
|
|
|
|
|
Nota di contenuto |
|
Foreword by Douglas Kellner -- 1. Introduction: the cultural politics of popular film -- 2. Frames -- Part I: Security -- 3. Security: order and disorder -- 4. War and order -- 5. Disorder and fear -- 6. Fearsome monsters -- Part II: Relationalities -- 7. Gender and intimate relationships -- 8. Romance -- 9. Bromance -- Part III: Social critique -- 10. Against the grain? Socially critical movies -- 11. Questioning the critical -- Part IV: Global agendas -- 12. The big picture: the 'metropole' and peripheral 'others' -- 13. Responses from 'the margins' -- Index. |
|
|
|
|
|
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Adopting and developing a 'cultural politics' approach, this comprehensive study explores how Hollywood movies generate and reflect political myths about social and personal life that profoundly influence how we understand power relations. Instead of looking at genre, it employs three broad categories of film. 'Security' films present ideas concerning public order and disorder, citizen-state relations and the politics of fear. 'Relationalities' films highlight personal and intimate politics, bringing norms about identities, gender and sexuality into focus. In 'socially critical' films, particular issues and ideas are endowed with more overtly political significance. The book considers these categories as global political technologies implicated in hegemonic and 'soft power' relations whose reach is both deep and broad. |
" 'The authors draw on an impressive array of contemporary literature and critical studies to provide original and illuminating analyses of how contemporary Hollywood film is an important force of cultural politics.' From the foreword by Douglas Kellner, Distinguished Professor of Education at UCLA and author of Cinema Wars: Hollywood Film and Politics in the Bush/Cheney Era Movies are never politically innocent. They generate and reflect myths about nation, society, community, and personal life that profoundly influence how we understand our world and ourselves. Developing a new syncretic 'cultural politics' approach, this comprehensive and up-to-date study interrogates the stories Hollywood tells us, offering insights into both the pleasures and problems associated with what we watch. " --Back cover. |
|
|
|
|
|
|
|
| |