1.

Record Nr.

UNISA990002111830203316

Titolo

La tutela della proprietà commerciale

Pubbl/distr/stampa

Roma : Stabilimento tipografico ditta C. Colombo, 1925

Descrizione fisica

286 p. ; 24 cm

Disciplina

346.45026

Soggetti

Aziende commerciali - Legislazione

Collocazione

FC IV D 15

XV.2.C. 572

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

In testa al front.: Confederazione generale del commercio italiano, Sindacato nazionale del commercio, media e piccola industria, Roma

2.

Record Nr.

UNINA9910810708603321

Autore

Guy-Bray Stephen

Titolo

Loving in verse : poetic influence as erotic / / Stephen Guy-Bray

Pubbl/distr/stampa

Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2006

©2006

ISBN

1-281-99212-7

9786611992125

1-4426-7684-1

Descrizione fisica

1 online resource (151 p.)

Altri autori (Persone)

HudsonAnne <1938->

Disciplina

809.19353

Soggetti

Homosexuality in literature

Poetry - History and criticism

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph



Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Virgil into Statius into Dante -- Chaucer and Spenser and other male couples -- Crane on Whitman -- Eliot with Bloom, Barthes with O'Hara.

Sommario/riassunto

Using concepts from queer theory and close readings of images and allusions in these texts, Loving in Verse demonstrates the importance of homoeroticism to an examination of poetic influence. A discussion of the theories of poetic influence from four twentieth-century writers (T.S. Eliot, Harold Bloom, Roland Barthes, and Frank O'Hara) concludes Guy-Bray's analysis."--Jacket.

"Loving in Verse examines how three poets present their relationship to their most important predecessors, beginning with Dante's use of Virgil and Statius in the Divine Comedy, moving on to Spenser's use of medieval English poets in the Faerie Queene, and finally addressing Hart Crane's use of Whitman in The Bridge. In each case, Guy-Bray shows how the younger poet presents himself and the older poet as part of a male couple. He goes on to demonstrate how male couples are, in fact, found throughout these poems, and while some are indeed familial or hostile, many are romantic or sexual.