1.

Record Nr.

UNISA990001273750203316

Autore

PANTALEONI, Maffeo

Titolo

Erotemi di economia / Maffeo Pantaleoni

Pubbl/distr/stampa

Padova : CEDAM, 1963-64

Descrizione fisica

2 v. , 25 cm

Collana

Raccolta di scritti / a cura dell'Istituto di studi economici finanziari e statistici dell'Università di Roma , Serie 2. ; 3.

Disciplina

330.4

Soggetti

Economia - Teorie

Collocazione

330.4 PAN 1/1a (III G 266/1)

330.4 PAN 1/2a (III G 266/2)

300 330 PAN

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di contenuto

1.: XVII, 371 p. 2.: XIII, 336 p.



2.

Record Nr.

UNINA9910785242503321

Autore

Kramer Lawrence <1946->

Titolo

Interpreting music [[electronic resource] /] / Lawrence Kramer

Pubbl/distr/stampa

Berkeley, : University of California Press, c2011

ISBN

1-282-76446-2

9786612764462

0-520-94736-3

Descrizione fisica

1 online resource (332 p.)

Disciplina

781.1

Soggetti

Music - History and criticism

Music - Philosophy and aesthetics

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and indexes.

Nota di contenuto

Frontmatter -- Contents -- Musical Examples -- 1. Hermeneutics -- 2. Language -- 3. Subjectivity -- 4. Meaning -- 5. Metaphor -- 6. History -- 7. Influence -- 8. Deconstruction -- 9. Analysis -- 10. Resemblance -- 11. Things -- 12. Classical -- 13. Modern -- 14. Works -- 15. Performance -- 16. Musicology -- Notes -- Index of Concepts -- Index of Names

Sommario/riassunto

Interpreting Music is a comprehensive essay on understanding musical meaning and performing music meaningfully-"interpreting music" in both senses of the term. Synthesizing and advancing two decades of highly influential work, Lawrence Kramer fundamentally rethinks the concepts of work, score, performance, performativity, interpretation, and meaning-even the very concept of music-while breaking down conventional wisdom and received ideas. Kramer argues that music, far from being closed to interpretation, is ideally open to it, and that musical interpretation is the paradigm of interpretation in general. The book illustrates the many dimensions of interpreting music through a series of case studies drawn from the classical repertoire, but its methods and principles carry over to other repertoires just as they carry beyond music by working through music to wider philosophical and cultural questions.