| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNISA990001084380203316 |
|
|
Titolo |
Stalinismo e nazismo : dittature a confronto / a cura di Ian Kershaw e Moshe Lewin ; traduzione di Flavia Buzza |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Roma, : Editori Riuniti, 2002 |
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Nazionalsocialismo |
Stalinismo |
|
|
|
|
|
|
|
|
Collocazione |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
2. |
Record Nr. |
UNINA9910520086303321 |
|
|
Titolo |
Text and Image in Women's Life Writing : Picturing the Female Self / / edited by Valérie Baisnée-Keay, Corinne Bigot, Nicoleta Alexoae-Zagni, Stephanie Genty, Claire Bazin |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
|
|
Edizione |
[1st ed. 2021.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (298 pages) |
|
|
|
|
|
|
Collana |
|
Palgrave Studies in Life Writing, , 2730-9193 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
|
|
Soggetti |
|
Literature - Philosophy |
Feminism and literature |
Narration (Rhetoric) |
Literature |
Arts |
Feminist Literary Theory |
Narratology |
Literary Methods |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di contenuto |
|
Introduction - Valérie Baisnée-Keay -- Part One: Image-ing Identity -- 1 Thinking through the Book and Reimagining the Page: Julie Chen's Artists' Books and Faith Ringgold's Story Quilts - Hertha D. Wong -- 2 '[Un]systematic, even with the image': Text-image Blurring, Self-Inquiry and Ontological Anxiety in Theresa Hak Kyung Cha's works - Marie-Agnès Gay -- 3 A Visual-Verbal-Virtual Redefinition of Womanhood by Janet Mock - Aurelia Mouzet -- 4 Authoritatively Her/Self: Georgia O'Keeffe's Life Writing - Edyta Frelik -- Part Two: Reframing Memories -- 5 Fun Homes and Queer Houses of Memory in Alison Bechdel's Graphic Memoirs - Heloise Thomas -- 6 Framing herself then and now: Shirley Geok-lin Lim and the Evolving Practice of Photo Albums - Nicoleta Alexoae-Zagni -- 7 Nostalgic Albums or Alternative Lieux de mémoire? The interplay between stories, photographs, and illustrated recipes in ethnic culinary memoirs by women - Corinne Bigot -- Part Three: Elusive Textual/Visual Referentiality -- 8 Zelda Fitzgerald's Self-Portraiture: A Strenuous Performance from Ink to Gouache - Elisabeth Bouzonviller -- 9 Isabella Bird-Bishop's 1897 journey up the Yangtze Valley and Beyond: Beyond the Writing/ Photographing Divide - Floriane Reviron-Piégay -- 10 A Woman's Life of War Pictures: Elizabeth Butler (1846-1933) - Nathalie Saudo-Welby -- 11 Whistler's (Mother's) Daughter: Image-Text Relations in Marilyn French's Fictionalized (Auto)biography - Stephanie Genty -- Part Four: Visual/Textual Embodiment -- 12 It Is Difficult to Find the Words": The Image-Text Interface in Lynn Kohlman's Cancer Auto/biography - Marta Fernández-Morales -- 13 Creating Together an 'Unexpected Home': Navigating the Matrixial Borderspace through Text and Image in Mary Kelly's Post-Partum Document (1973-79) - Justyna Wierzchowska. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
This book examines the relationship between words and images in various life-writing works produced by nineteenth to twenty-first century American and British women. It addresses the politics of images in women's life writing, contending that the presence or absence of images is often strategic. Including a range of different forms of life writing, chapters draw on traditional (auto)biographies, travel narratives, memoirs, diaries, autofiction, cancer narratives, graphic memoirs, artistic installations, quilts and online performances, as life writing moves from page to screen and other media. The book explores a wide range of women who have crossed the boundary between text and image: painters who have become writers, novelists who have become painters, writers who hesitate between images and words, models who seize the camera, and artists who use the frame as a page. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3. |
Record Nr. |
UNINA9910969475503321 |
|
|
Autore |
Lopez-Calvo Ignacio |
|
|
Titolo |
The affinity of the eye : writing Nikkei in Peru / / Ignacio Lopez-Calvo |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Tucson, : University of Arizona Press, 2013 |
|
|
|
|
|
|
|
ISBN |
|
1-299-38447-1 |
0-8165-9987-4 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (256 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Japanese - Peru - Ethnic identity |
Japanese - Peru - Intellectual life |
Peruvian literature - 20th century - History and criticism |
Japanese in literature |
Peru Emigration and immigration History |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Introduction --Nikkei testimonials. Seiichi Higashide's Adiós to tears: flexible citizenship, American war propaganda, and the birth of anti-Japanese hysteria in Peru -- Okinawa, El reino de La Cortesía and Okinawa: un siglo en el Perú: dialogues with nationalism and renegotiations of (sub)ethnicity -- Nikkei narratives. Nippo-Peruvian self-identification in Augusto Higa's La iluminación de Katzuo Nakamatsu and Japón no da dos oportunidades -- Lima + Seville = Okinawa: the Japanese as caricature in Fernando Iwasaki's España, aparta de mí estos premios --Carlos Yushimito's post-nationalist and post-identitarian short stories -- Nikkei poetry. Japanese culture and the politics of cultural belonging in Jose Watanabe's poetry -- Gender roles, sexuality, and uchinanchu cultural identity in Doris Moromisato's poetry -- Epilogue. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
In" The Affinity of the Eye: Writing Nikkei in Peru," Ignacio Lopez-Calvo rises above the political emergence of the Fujimori phenomenon and uses politics and literature to provide one of the first comprehensive looks at how the Japanese assimilated and inserted themselves into Peruvian culture. Through contemporary writers' testimonies, essays, fiction, and poetry, Lopez-Calvo constructs an account of the cultural |
|
|
|
|
|
|
|
|
|
|
formation of Japanese migrant communities. With deftly sensitive interviews and comments, he portrays the difficulties of being a Japanese Peruvian. Despite a few notable examples, Asian Peruvians have been excluded from a sense of belonging or national identity in Peru, which provides Lopez-Calvo with the opportunity to record what the community says about their own cultural production. In so doing, Lopez-Calvo challenges fixed notions of Japanese Peruvian identity. "The Affinity of the Eye" scrutinizes authors such as Jose Watanabe, Fernando Iwasaki, Augusto Higa, Doris Moromisato, and Carlos Yushimito, discussing their literature and their connections to the past, present, and future. Whether these authors push against or accept what it means to be Japanese Peruvians, they enrich the images and feelings of that experience. Through a close reading of literary and cultural productions, Lopez-Calvo's analysis challenges and reframes the parameters of being Nikkei in Peru. Covering both Japanese issues in Peru and Peruvian issues in Japan, the book is more than a compendium of stories, characters, and titles. It proves the fluid, enriching, and ongoing relationship that exists between Peru and Japan. |
|
|
|
|
|
| |