1.

Record Nr.

UNISA990001790810203316

Titolo

The temple of Castor and Pollux

Pubbl/distr/stampa

Roma : L'Erma di Bretschneider

Descrizione fisica

volumi ; 30 cm

Disciplina

726.1207

Soggetti

Tempio dei Castori <Roma>

Collocazione

XI.5.B. 497/

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNISA990000950020203316

Titolo

El teatro en EspaƱa : entre la tradicion y la vanguardia, 1918-1939 / coordinacion y edicion Dru Dougherty, M. Francisca Vilches de Frutos

Pubbl/distr/stampa

Madrid : Consejo Superior de Investigaciones Cientificas : Fundacion Federico Garcia Lorca : Tabacalera, 1992

ISBN

84-7952-080-9

Descrizione fisica

513 p ; 28 cm

Disciplina

862.609

Soggetti

Letteratura drammatica spagnola - Sec. 20

Teatro - Spagna - Sec. 20

Collocazione

XIII.1.B. 111(II sp B 4/211)

Lingua di pubblicazione

Spagnolo

Formato

Materiale a stampa

Livello bibliografico

Monografia



3.

Record Nr.

UNINA9910782109403321

Titolo

Why we fought [[electronic resource] ] : America's wars in film and history / / edited by Peter C. Rollins and John E. O'Connor

Pubbl/distr/stampa

Lexington, Ky., : The University Press of Kentucky, 2008

ISBN

0-8131-3874-4

1-282-97631-1

9786612976315

0-8131-7297-7

Edizione

[1st ed.]

Descrizione fisica

1 online resource (624 p.)

Collana

Film and History ; ; v.FMHI

Altri autori (Persone)

RollinsPeter C

O'ConnorJohn E

Disciplina

791.43

791.436581

810.9358

Soggetti

United States - History, Military

United States -- History, Military

Vietnam War, 1961-1975 -- Motion pictures and the conflict

War films - History and criticism

War films -- History and criticism

War poetry, American -- History and criticism

War stories, American -- History and criticism

Film

Music, Dance, Drama & Film

United States History, Military

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di contenuto

Cover; Title; Copyright; Dedication; CONTENTS; FOREWORD; ACKNOWLEDGMENTS; INTRODUCTION; Part I; 1 / John E. O'Connor; 2 / Frank Thompson; 3 / James Yates; 4 / Gary R . Edgerton; 5 / Robert M. Myers; Part II; 6 / Michael T. Isenberg; 7 / James Latham; 8 / David Imhoof; 9 / John Whiteclay Chambers II; 10 / Cynthia J. Miller; 11 / Ian S. Scott; 12 / Frank J. Wetta and Martin A. Novelli; 13 / J. E. Smyth; 14 /



Robert Brent Toplin; Part III; 15 / Thomas W. Maulucci Jr; 16 / Susan A. George; 17 / Peter C. Rollins; 18 / Lawrence W. Lichty and Raymond L. Carroll; 19 / William S. Bushnell; Part IV

20 / John Shelton Lawrence and John G. McGarrahan21 / Jeffrey Chown; 22 / Stacy Takacs; 23 / James Kendrick; FILMOGRAPHY; BIBLIOGRAPHY; CONTRIBUTORS; INDEX; ABOUT THE EDITORS

Sommario/riassunto

Film moves audiences like no other medium; both documentaries and feature films are especially remarkable for their ability to influence viewers. Best-selling author James Brady remarked that he joined the Marines to fight in Korea after seeing a John Wayne film, demonstrating how a motion picture can change the course of a human life -- in this case, launching the career of a major historian and novelist. In Why We Fought: America's Wars in Film and History, editors Peter C. Rollins and John E. O'Connor explore the complexities of war films, describing the ways in which such productions interpret history and illuminate American values, politics, and culture. This comprehensive volume covers representations of war in film from the American Revolution in the 18th century to today's global War on Terror. The contributors examine iconic battle films such as The Big Parade (1925), All Quiet on the Western Front (1930), From Here to Eternity (1953), and Platoon (1986), considering them as historical artifacts. The authors explain how film shapes our cultural understanding of military conflicts, analyzing how war is depicted on television programs, through news media outlets, and in fictional and factual texts. With several essays examining the events of September 11, 2001, and their aftermath, the book has a timely relevance concerning the country's current military conflicts. Jeff Chown examines controversial documentary films about the Iraq War, while Stacy Takacs considers Jessica Lynch and American gender issues in a post-9/11 world, and James Kendrick explores the political messages and aesthetic implications of United 93. From filmmakers who reshaped our understanding of the history of the Alamo, to Ken Burns's popular series on the Civil War, to the uses of film and media in understanding the Vietnam conflict, Why We Fought offers a balanced outlook -- one of the book's editors was a combat officer in the United States Marines, the other an antiwar activist -- on the conflicts that have become touchstones of American history. As Air Force veteran and film scholar Robert Fyne notes in the foreword, American war films mirror a nation's past and offer tangible evidence of the ways millions of Americans have become devoted, as was General MacArthur, to "Duty, honor, and country." Why We Fought chronicles how, for more than half a century, war films have shaped our nation's consciousness.