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1. |
Record Nr. |
UNISA990000862320203316 |
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Autore |
ROEHRSSEN, Carlo |
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Titolo |
Diritto e politica : lo stentato affermarsi dello Stato borghese in Germania visto con gli occhi dei giuristi / Carlo Roehrssen |
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Pubbl/distr/stampa |
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Torino : G. Giappichelli, 1995 |
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ISBN |
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Descrizione fisica |
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Collocazione |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910794532003321 |
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Autore |
Porst Jennifer |
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Titolo |
Broadcasting Hollywood : the struggle over feature films on early TV / / Jennifer Porst |
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Pubbl/distr/stampa |
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New Brunswick : , : Rutgers University Press, , [2021] |
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©2021 |
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ISBN |
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Descrizione fisica |
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1 online resource (251 pages) |
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Disciplina |
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Soggetti |
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Television broadcasting of films - United States - History - 20th century |
Copyright - Broadcasting rights - United States |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Cover -- Title Page -- Copyright -- Dedication -- Contents -- List of Abbreviations -- Introduction: Media Disruption and Convergence -- 1. |
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Systems of Authority and Evaluation -- 2. Exhibition, Audiences, and Media Consumption -- 3. Contracts, Rights, Residuals, and Labor -- 4. Roy Rogers, Gene Autry, and the Intervention of the Courts -- 5. Antitrust, Market Dominance, and Emerging Media -- 6. Feature Films Make Their Way to Television -- Conclusion: Disrupting a Big Market Can Be Bumpy -- Acknowledgments -- Abbreviations Used in Notes -- Notes -- Bibliography -- Index -- About the Author. |
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Sommario/riassunto |
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Broadcasting Hollywood: The Struggle Over Feature Films on Early Television uses extensive archival research into the files of studios, networks, advertising agencies, unions and guilds, theatre associations, the FCC, and key legal cases to analyze the tensions and synergies between the film and television industries in the early years of television. This analysis of the case study of the struggle over Hollywood’s feature films appearing on television in the 1940s and 1950s illustrates that the notion of an industry misunderstands the complex array of stakeholders who work in and profit from a media sector, and models a variegated examination of the history of media industries. Ultimately, it draws a parallel to the contemporary period and the introduction of digital media to highlight the fact that history repeats itself and can therefore play a key role in helping media industry scholars and practitioners to understand and navigate contemporary industrial phenomena. |
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