1.

Record Nr.

UNISA990000846450203316

Autore

RENNA, Dino

Titolo

L' emigrazione a Montoro nel secondp dopoguerra / Dino Renna

Pubbl/distr/stampa

( (S. Pietro di Montoro Sup.) : Derogrf, 1998

Descrizione fisica

95 p ; 24 cm

Disciplina

325.2457215

Soggetti

Montoro - Emigrazione - 1945-1969

Collocazione

XV.1.B. 28(III E 1983)

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910777832603321

Autore

Fisher Jennifer <1949->

Titolo

"Nutcracker" nation [[electronic resource] ] : how an Old World ballet became a Christmas tradition in the New World / / Jennifer Fisher

Pubbl/distr/stampa

New Haven, : Yale University Press, c2003

ISBN

1-281-72301-0

9786611723019

0-300-13343-X

Descrizione fisica

1 online resource (253 p.)

Disciplina

792.8/4

Soggetti

Christmas - United States

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. 213-219) and index.

Filmography: p. 219.

Nota di contenuto

Front matter -- Contents -- Preface -- Acknowledgments -- One. The Early Years -- Two. Making Friends at Christmastime -- Three. Fitting



In -- Four. Experiences and Relationships -- Five. The Meaning of Life -- Notes -- Bibliography -- Index -- Photo Credits

Sommario/riassunto

The Nutcracker is the most popular ballet in the world, adopted and adapted by hundreds of communities across the United States and Canada every Christmas season. In this entertainingly informative book, Jennifer Fisher offers new insights into the Nutcracker phenomenon, examining it as a dance scholar and critic, a former participant, an observer of popular culture, and an interviewer of those who dance, present, and watch the beloved ballet. Fisher traces The Nutcracker's history from its St. Petersburg premiere in 1892 through its emigration to North America in the mid-twentieth century to the many productions of recent years. She notes that after it was choreographed by another Russian immigrant to the New World, George Balanchine, the ballet began to thrive and variegate: Hawaiians added hula, Canadians added hockey, Mark Morris set it in the swinging sixties, and Donald Byrd placed it in Harlem. The dance world underestimates The Nutcracker at its peril, Fisher suggests, because the ballet is one of its most powerfully resonant traditions. After starting life as a Russian ballet based on a German tale about a little girl's imagination, The Nutcracker has become a way for Americans to tell a story about their communal values and themselves.