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1. |
Record Nr. |
UNISA990000472310203316 |
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Autore |
CAROTTI, Carlo |
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Titolo |
Gli acquisti in biblioteca : formazione e accrescimento del patrimonio documentario / Carlo Carotti |
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Pubbl/distr/stampa |
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Milano : Bibliografica, 1989 |
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ISBN |
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Descrizione fisica |
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Collana |
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Bibliografia e biblioteconomia ; 35 |
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Disciplina |
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Soggetti |
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Collocazione |
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I.2. Coll. 2/ 13a (COLL. EEO 35) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA990008920470403321 |
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Titolo |
Boletin de la Sociedad de Ciencias Naturales de Instituto de La Salle |
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Pubbl/distr/stampa |
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Bogota, : Sociedada Colombiana Ciencias Naturales |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Periodico |
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3. |
Record Nr. |
UNINA9910148570803321 |
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Autore |
Iljadica Marta |
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Titolo |
Copyright beyond law : regulating creativity in the graffiti subculture / / Marta Iljadica |
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Pubbl/distr/stampa |
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Oxford [UK] ; ; Portland, Oregon : , : Hart Publishing, , 2016 |
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ISBN |
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9781782257899 |
1782257896 |
9781509902019 |
1509902015 |
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Descrizione fisica |
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1 online resource (325 pages) |
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Disciplina |
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Soggetti |
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Copyright - Art |
Graffiti - History |
Law and art |
Public art - Law and legislation |
Street art - History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Graffiti history and development -- Copyright, creativity, and commons -- Methodology : reflections on fieldwork -- Copyright subject matter -- Graffiti rules? : write letters, choose spots -- Moral rights -- Graffiti rules ? don't go over -- Graffiti rules and copyright law. |
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Sommario/riassunto |
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The form of graffiti writing on trains and walls is not accidental. Nor is |
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its absence on cars and houses. Employing a particular style of letters, choosing which walls and trains to write on, copying another writer, altering or destroying another writer's work: these acts are regulated within the graffiti subculture. Copyright Beyond Law presents findings from empirical research undertaken into the graffiti subculture to show that graffiti writers informally regulate their creativity through a system of norms that are remarkably similar to copyright. The 'graffiti rules' and their copyright law parallels include: the requirement of writing letters (subject matter) and appropriate placement (public policy and morality exceptions for copyright subsistence and the enforcement of copyright), originality and the prohibition of copying (originality and infringement by reproduction), and the prohibition of damage to another writer's works (the moral right of integrity). The intersection between the 'graffiti rules' and copyright law sheds light on the creation of subculture-specific commons and the limits of copyright law in incentivising and regulating the production and location of creativity |
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