1.

Record Nr.

UNIPARTHENOPE000016666

Autore

Federici, Luigi

Titolo

La moneta e l'oro / Luigi Federici

Pubbl/distr/stampa

Milano : Ambrosiana editrice, 1943

Edizione

[2. ed.]

Descrizione fisica

XXIV, 719 p. ; 25 cm

Disciplina

331.4

Collocazione

331.4/100

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910552765203321

Autore

Byram Katra A. <1975->

Titolo

Ethics and the Dynamic Observer Narrator : Reckoning with Past and Present in German Literature / / Katra A. Byram

Pubbl/distr/stampa

Columbus, : Ohio State University Press, [2015]

ISBN

0-8142-7378-5

Descrizione fisica

1 online resource

Collana

Theory and interpretation of narrative

Classificazione

LIT004170

Disciplina

833.009

Soggetti

LITERARY CRITICISM / European / German

Literature and history - Germany

Narration (Rhetoric)

German fiction - History and criticism - Theory, etc

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references and index.



Sommario/riassunto

"In Ethics and the Dynamic Observer Narrator: Reckoning with Past and Present in German Literature, Katra A. Byram proposes a new category-the dynamic observer form-to describe a narrative situation that emerges when stories about others become an avenue to negotiate a narrator's own identity across past and present. Focusing on German-language fiction from the nineteenth and twentieth centuries, Byram demonstrates how the dynamic observer form highlights historical tensions and explores the nexus of history, identity, narrative, and ethics in the modern moment.  Ethics and the Dynamic Observer Narrator contributes to scholarship on both narrative theory and the historical and cultural context of German and Austrian literary studies. Narrative theory, according to Byram, should understand this form to register complex interactions between history and narrative form. Byram also juxtaposes new readings of works by Textor, Storm, and Raabe from the nineteenth century with analyses of twentieth-century works by Grass, Handke, and Sebald, ultimately reframing our understanding of literary Vergangenheitsbewa;ltigung, or the struggle to come to terms with the past. Overall, Byram shows that neither the problem of reckoning with the past nor the dynamic observer form is unique to Germany's post-WWII era. Both are products of the dynamics of modern identity, surfacing whenever critical change separates what was from what is. "--