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1. |
Record Nr. |
UNIORUON00213622 |
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Autore |
BEL, Mátyás |
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Titolo |
Levelezése / Bél Mátyás ; Szerk. Tarnai Andor |
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Pubbl/distr/stampa |
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Budapest, : Balassi Kiadó, 1993 |
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ISBN |
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Descrizione fisica |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910682550303321 |
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Autore |
Morro Angelo |
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Titolo |
Mathematical Modelling of Continuum Physics [[electronic resource] /] / by Angelo Morro, Claudio Giorgi |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Birkhäuser, , 2023 |
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ISBN |
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Edizione |
[1st ed. 2023.] |
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Descrizione fisica |
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1 online resource (XIX, 1009 p. 48 illus., 1 illus. in color.) |
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Collana |
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Modeling and Simulation in Science, Engineering and Technology, , 2164-3725 |
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Disciplina |
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Soggetti |
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Mathematical models |
Physics |
Mathematical Modeling and Industrial Mathematics |
Classical and Continuum Physics |
Teoria de camps (Física) |
Models matemàtics |
Llibres electrònics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Part I: Basic Principles and Balance Equations -- Kinematics -- Balance Equations -- Part II: Constitutive Models of Simple Materials -- Generalities on Constitutive Methods -- Solids -- Fluids -- Part III: Non-Simple Materials -- Rate-Type Models -- Materials with Memory -- Aging and Higher-Order Grade Materials -- Mixtures -- Micropolar Media -- Porous Materials -- Electromagnetism of Continuous Media -- Hysteresis and Phase Transitions -- Plasticity -- Superconductivity and Superfluidity -- Ferroics -- Phase Transitions -- Appendix: Notes on Vectors and Tensors. |
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Sommario/riassunto |
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This monograph provides a comprehensive and self-contained treatment of continuum physics, illustrating a systematic approach to the constitutive equations for wide-ranging classes of materials. Derivations of results are detailed through careful proofs, and the contents have been developed to ensure a self-contained and consistent presentation. Part I reviews the kinematics of continuous bodies and illustrates the general setting of balance laws. Essential preliminaries to continuum physics – such as reference and current configurations, transport relations, singular surfaces, objectivity, and objective time derivatives – are covered in detail. A chapter on balance equations then develops the balance laws of mass, linear momentum, angular momentum, energy, and entropy, as well as the balance laws in electromagnetism. Part II is devoted to the general requirements on constitutive models, emphasizing the application of objectivity and consistency with the second law of thermodynamics. Common models of simple materials are then reviewed, and in this framework, detailed descriptions are given of solids (thermoelastic, elastic, and dissipative) and fluids (elastic, thermoelastic, viscous, and Newtonian). A wide of variety of constitutive models are investigated in Part III, which consists of separate chapters focused on several types of non-simple materials: materials with memory, aging and higher-order grade materials, mixtures, micropolar media, and porous materials. The interaction of the electromagnetic field with deformation is also examined within electroelasticity, magnetoelasticity, and plasma theory. Hysteretic effects and phase transitions are considered in Part IV. A new approach is established by treating entropy production as a constitutive function in itself, as is the case for entropy and entropy flux. This proves to be conceptually and practically advantageous in the modelling of nonlinear phenomena, such as those occurring in hysteretic continua (e.g., plasticity, electromagnetism, and the physics of shape memory alloys). Mathematical Modelling of Continuum Physics will be an important reference for mathematicians, engineers, physicists, and other scientists interested in research or applications of continuum mechanics. . |
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3. |
Record Nr. |
UNINA9910484956803321 |
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Autore |
Beale Sam |
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Titolo |
The Comedy and Legacy of Music-Hall Women 1880-1920 : Brazen Impudence and Boisterous Vulgarity / / by Sam Beale |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
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ISBN |
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Edizione |
[1st ed. 2020.] |
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Descrizione fisica |
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Collana |
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Palgrave Studies in Comedy, , 2731-4340 |
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Disciplina |
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Soggetti |
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Comedy |
Performing arts |
Theater |
Culture - Study and teaching |
Feminism |
Feminist theory |
Comedy Studies |
Theatre and Performance Arts |
Cultural Studies |
Feminism and Feminist Theory |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction: 'reweaving' women's comic performance history -- Chapter 1: 'Sentiments unwomanly and unnatural': moral ambiguity, censorship and public perceptions of the serio-comic performer -- Chapter 2: 'A Comfort and Blessing To Man': performed irony, self-deprecation and comic subversions of gender stereotypes -- Chapter 3: 'Can We Talk?': intimacy, 'gagging' and comic licence in performer-audience relationships -- Chapter 4 'I mustn't tell you what I mean' knowing, not knowing and comic innuendo as performed (self) censorship -- Chapter 5 'Every Little Movement Has A Meaning of Its Own': comic gestus and the ironic embodiment of gender -- |
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Sommario/riassunto |
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This book explores the comedy and legacy of women working as performers on the music-hall stage from 1880-1920, and examines the significance of their previously overlooked contributions to British comic traditions. Focusing on the under-researched female 'serio-comic', the study includes six micro-histories detailing the acts of Ada Lundberg, Bessie Bellwood, Maidie Scott, Vesta Victoria, Marie Lloyd and Nellie Wallace. Uniquely for women in the late-nineteenth and early-twentieth centuries, these pioneering performers had public voices. The extent to which their comedy challenged Victorian and Edwardian perceptions of women is revealed through explorations of how they connected with popular audiences while also avoiding censorship. Their use of techniques such as comic irony and stereotyping, self-deprecation, and comic innuendo are considered alongside the work of contemporary stand-up comedians and performance artists including Bridget Christie, Bryony Kimmings, Sara Pascoe, ShaziaMirza and Sarah Silverman. |
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