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1. |
Record Nr. |
UNINA9910790152903321 |
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Titolo |
El Bosco [[electronic resource]] |
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Pubbl/distr/stampa |
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[New York], : Parkstone International, [2006] |
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ISBN |
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1-283-95481-8 |
1-78042-548-1 |
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Descrizione fisica |
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1 online resource (81 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Hieronymus Bosch (El Bosco) y la "Tentación" de Lisboa. Una perspectiva desde el 3er milenio; BIOGRAFÍA; LISTA DE ILUSTRACIONES |
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Sommario/riassunto |
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Mucho antes de que se inventaran los videojuegos, Hiëronymus Bosch, El Bosco, ya pintaba monstruos terroríficos aunque extrañamente simpáticos, a menudo dotados de un toque de humor. Sus obras son enérgicos ejemplos de los peligros psicológicos que se ciñen sobre aquellos que abandonan las enseñanzas de Cristo. Con una trayectoria vital que se extiende de 1450 a 1516, El Bosco nació en pleno Renacimiento y fue testigo de sus guerras religiosas y del desmoronamiento de los valores y las tradiciones medievales, que preparaba el terreno para el nacimiento de un nuevo orden universal en el que la |
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2. |
Record Nr. |
UNIORUON00208000 |
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Titolo |
Language Production : Speech and Talk / ed. by B. Butterworth |
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Pubbl/distr/stampa |
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London, : Academic Press, 1980. 476 p. ; 23, 6 cm. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910974650303321 |
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Autore |
Savage Steve |
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Titolo |
The art of digital audio recording : a practical guide for home and studio / / Steve Savage ; with photos by Robert Johnson and diagrams by Iain Fergusson |
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Pubbl/distr/stampa |
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Oxford ; ; New York, : Oxford University Press, 2011 |
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ISBN |
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9786613136503 |
0-19-991050-2 |
1-283-13650-3 |
0-19-987523-5 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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xii, 271 p. : ill. ; ; 29 cm |
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Altri autori (Persone) |
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JohnsonRobert |
FergussonIain |
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Disciplina |
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Soggetti |
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Sound studios |
Sound - Recording and reproducing - Digital techniques |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover -- Contents -- Introduction -- 1 The Starting Point: Sound Meets the Computer -- 1.1 Why Computers -- 1.2 What Does It Sound Like? -- 1.3 Signal Path -- 2 The Essentials: Where and How Recordings Are Made -- 2.1 Recording Rooms and Control Rooms -- 2.2 Studio Monitors -- 2.3 Microphones and Mic Placement -- 2.4 Mixing Boards and Control Surfaces -- 2.5 EQ: General Information -- 2.6 Dynamics |
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(Compressors and Noise Gates) -- 2.7 FX: Delays -- 2.8 FX: Reverb -- 2.9 Beyond Traditional DSP -- 3 Recording Sessions: A Practical Guide -- 3.1 Setup -- 3.2 Headphone Mixes -- 3.3 Survey of Recording Techniques for Instruments and Voice -- 3.4 Beyond -- 4 Editing: The New Frontier -- 4.1 Editing Features -- 4.2 Screen "Real Estate -- 4.3 Virtual Tracks (Playlists) -- 4.4 Advanced Editing -- 5 Three Fundamentals: Techniques Every Recordist Needs to Know -- 5.1 Inserts/Plug-ins -- 5.2 Send and Return -- 5.3 Auto-switching (Auto-input) -- 6 Mixing: The Most Creative and the Most Challenging Stage -- 6.1 Mixing Requirements -- 6.2 Building a Mix -- 6.3 Automation and Recall -- 6.4 Mix Collaboration, Communication, and Delivery -- 7 Mastering: One Last Session -- 7.1 What, Why, How, and Where -- 8 Three Best Practices: Easy Ways to Raise the Level of Your Sessions -- 8.1 Session Flow -- 8.2 Talkback -- 8.3 Playback Volume -- Addendum 1 How to Walk into a Commercial Studio and Be the Engineer -- Addendum 2 Researching and Buying Gear: Internet vs. Brick and Mortar -- Appendix: Digital Audio Formats, Delivery, and Storage -- Online Glossary Link -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Z. |
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Sommario/riassunto |
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Making high-quality professional recordings requires the right balance of technical know-how and practical understanding of recording sessions. Getting the best audio recording results often requires as much common sense and intuitiveness in technique as it does a deep understanding of the technical elements involved. In The Art of Digital Audio Recording, expert author Steve Savage synthesizes years of professional recording experience - including 7 Grammy-nominated records - and his teaching experience as instructor in recording techniques to equip professional readers with both the essential technical as well as practical knowledge they need to succeed. |
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