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1. |
Record Nr. |
UNIORUON00062796 |
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Autore |
KIDDER, J. Edward, Jr |
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Titolo |
Japanese temples : Sculpture, paintings, gardens and architecture / Edward J. Kidder |
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Pubbl/distr/stampa |
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Descrizione fisica |
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Classificazione |
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Soggetti |
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PITTURA GIAPPONESE |
SCULTURA GIAPPONESE |
ARCHITETTURA - GIAPPONE - TEMPLI |
ARCHITETTURA - GIAPPONE - GIARDINI |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910863200303321 |
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Autore |
Nguyen-Vo Thu-Huong <1962-> |
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Titolo |
Almost Futures : Sovereignty and Refuge at World's End |
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Pubbl/distr/stampa |
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University of California Press, 2024 |
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Oakland, California : , : University of California Press, , [2024] |
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©2024 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (xvi, 261 pages) : color illustrations |
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Collana |
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Critical refugee studies ; ; 6 |
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Disciplina |
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Soggetti |
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Vietnam War, 1961-1975 - Refugees |
Vietnamese - Social conditions |
Vietnamese Americans - Social conditions |
Sovereignty |
Globalization |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction : almost -- The sovereignty of grief : land protest and speculative time -- Assemblages of laughter and sorrow : women workers and allegorical fragments -- Iterant remains : witnessing sovereign violence -- History interrupted : the death of South Vietnam and refugee hauntings -- Untimely habitation : irreconcilability and refugee memory. |
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Sommario/riassunto |
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"Almost Futures looks to the people who pay the heaviest price for progress throughout war and capitalist globalization-particularly Vietnamese citizens and refugees-for glimpses of ways to exist at the end of our future's promise. In order to learn from the lives destroyed (and lived) amid our inheritance of modern humanism and its uses of time, Almost Futures asks us to recognize new spectrums of feeling: the poetic, in the grief of protesters dispossessed by land speculation; the allegorical, in assembly line workers' laughter and sorrow; the iterant and intimate, in the visual witnessing of revolutionary and state killing; the haunting, in refugee writing on the death of their nation; |
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and the irreconcilable, in refugees' inhabitation of history"-- |
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