1.

Record Nr.

UNIORUON00026818

Autore

FERNAU, F. W.

Titolo

Le réveil du monde musulman / F. W. Fernau

Pubbl/distr/stampa

Paris, : Editions du Seuil, 1953 233 p., : ill. ; 23 cm Trad. dal tedesco ( (tit. : Flackernder Halbmond)

Titolo uniforme

Flackernder Halbmond

Classificazione

VO IV

Soggetti

NAZIONALISMO - MEDIO ORIENTE

Lingua di pubblicazione

Francese

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910157410803321

Autore

Rutten Ellen

Titolo

Sincerity after Communism : A Cultural History / / Ellen Rutten

Pubbl/distr/stampa

New Haven, CT : , : Yale University Press, , [2017]

©2017

ISBN

9780300224832

Edizione

[1st ed.]

Descrizione fisica

1 online resource (304 pages)

Collana

Eurasia Past and Present

Classificazione

KK 1050

Disciplina

947.086

Soggetti

Culture - Russia (Federation)

Russia (Federation) Intellectual life 1991-

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Previous edition issued in print: 2017.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Frontmatter -- Contents -- Preface -- Introduction -- Chapter One: History -- Chapter Two: "But I Want Sincerity So Badly!" -- Chapter Three: "I Cried Twice" -- Chapter Four: "So New Sincerity" -- Conclusion: Sincerity Dreams -- Notes -- Bibliography -- Index

Sommario/riassunto

A compelling study of "new sincerity" as a powerful cultural practice,



born in perestroika-era Russia, and how it interconnects with global social and media flows The global cultural practice of a "new sincerity" in literature, media, art, design, fashion, film, and architecture grew steadily in the wake of the Soviet collapse. Cultural historian Ellen Rutten traces the rise and proliferation of a new rhetoric of sincere social expression characterized by complex blends of unabashed honesty, playfulness, and irony. Insightful and thought provoking, Rutten's masterful study of a sweeping cultural trend with roots in late Soviet Russia addresses postsocialist, postmodern, and postdigital questions of selfhood. The author explores how and why a uniquely Russian artistic and social philosophy was shaped by "cultural memory, commodification, and mediatization," and how, under Putin, "new sincerity" talk merges with transnational pleas to "revive sincerity." This essential study stands squarely at the intersection of the history of emotions, media studies, and post-Soviet studies to shed light on a new cultural reality-one that is profoundly affecting creative thought, artistic expression, and lifestyle virtually everywhere.