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Record Nr. |
UNINA9911108548003321 |
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Autore |
Romanò Cesare |
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Titolo |
Freud and the Dora case : a promise betrayed / / by Cesare Romano |
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Pubbl/distr/stampa |
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Boca Raton, Florida : , : Routledge, an imprint of Taylor and Francis, , [2018] |
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©2015 |
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ISBN |
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0-429-91398-2 |
0-429-89975-0 |
0-429-47498-9 |
1-78241-317-0 |
9780429474989 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (265 pages) |
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Collana |
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The history of psychoanalysis series. |
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Disciplina |
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Soggetti |
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Psychoanalysis - History |
Hysteria - Treatment - History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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COVER; CONTENTS; ACKNOWLEDGEMENTS; ABOUT THE AUTHOR; SERIES EDITOR'S FOREWORD; AUTHOR AND TRANSLATOR'S NOTE; FOREWORD; PART I THE CASE HISTORY; CHAPTER ONE The first encounter with Dora; CHAPTER TWO The second encounter with Dora and the beginning of the analysis; CHAPTER THREE The first trauma: a disgusting kiss; CHAPTER FOUR From archaeologist to burglar; CHAPTER FIVE The dream of the burning house; CHAPTER SIX The second dream; CHAPTER SEVEN Confusion of tongues and the traumatolytic function of the dream; CHAPTER EIGHT Conclusions; PART II THE COUNTERTRANSFERENCE |
CHAPTER NINE Dora's analysis and her analyst's vicissitudes: a frame for Freud's countertransferenceCHAPTER TEN Spinach, cocaine, and countertransference in a dream of Freud's; CHAPTER ELEVEN Conclusions; NOTES; REFERENCES; FURTHER READING; INDEX |
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Sommario/riassunto |
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Cesare Romano revisits Dora's clinical case in light of Freud's own seduction theory. His central thesis is that Freud failed to follow |
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through with his initial proposition of confirming his theories on the traumatic aetiology of hysteria. He also suggests a new dating for the duration of Dora's therapy, placing the beginning of the analysis within the context of Freud's concurrent and recent life events. A detailed analysis of Dora's first dream shows that Freud did not go back to Dora's first infantile traumas, but stopped instead at the period of her infantile masturbation. In analysing this dream, Romano's theory begins to take shape around the idea that Dora suffered an early trauma: possibly, a sexual abuse inflicted by her father. Drawing on Ferenczi, the author uses the notion of the 'traumatolytic function of the dream' to show that Dora, through her two dreams, was elaborating her early sexual trauma. Dora's analysis is investigated alongside what was happening in Freud's life at the time of the therapy. |
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2. |
Record Nr. |
UNINA9911145866803321 |
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Autore |
Vallejo César <1892-1938.> |
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Titolo |
The complete poetry : a bilingual edition / / César Vallejo ; edited and translated by Clayton Eshleman ; with a foreword by Mario Vargas Llosa ; an introduction by Efraín Kristal ; and a chronology by Stephen M. Hart |
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Pubbl/distr/stampa |
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Berkeley, : University of California Press, 2007 |
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ISBN |
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9786612358814 |
9781282358812 |
1282358812 |
9780520932142 |
0520932145 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (731 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 705-706) and indexes. |
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Nota di contenuto |
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Los heraldos negros = The black heralds -- Trilce -- Poemas humanos = Human Poems -- España, aparte de mí este cáliz = Spain, take this cup from me. |
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Sommario/riassunto |
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This first translation of the complete poetry of Peruvian César Vallejo (1892-1938) makes available to English speakers one of the greatest achievements of twentieth-century world poetry. Handsomely presented in facing-page Spanish and English, this volume, translated by National Book Award winner Clayton Eshleman, includes the groundbreaking collections The Black Heralds (1918), Trilce (1922), Human Poems (1939), and Spain, Take This Cup from Me (1939). Vallejo's poetry takes the Spanish language to an unprecedented level of emotional rawness and stretches its grammatical possibilities. Striking against theology with the very rhetoric of the Christian faith, Vallejo's is a tragic vision-perhaps the only one in the canon of Spanish-language literature-in which salvation and sin are one and the same. This edition includes notes on the translation and a fascinating translation memoir that traces Eshleman's long relationship with Vallejo's poetry. An introduction and chronology provide further insights into Vallejo's life and work. |
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