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Record Nr. |
UNINA9911092674503321 |
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Autore |
Bárczi Zsófia |
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Titolo |
Spiritual-Religious Literature : Through the Lens of Comparative Imagology |
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Pubbl/distr/stampa |
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Brno : , : Masarykova univerzita, , 2020 |
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©2020 |
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ISBN |
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Edizione |
[1. elektronické vydání] |
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Descrizione fisica |
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1 online resource (115 pages) |
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Altri autori (Persone) |
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GallikJán |
TekeliováDominika Hlavinová |
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Disciplina |
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Soggetti |
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Central Europe |
Central European literature |
Religion and literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Intro -- Foreword -- Chapter One - Cyril and Methodiusas Slovak Image -- The Proglas as the Legacy of Constantine and Methodius,Thessalonian Brothers -- Comparative Studies and Imagology in the Research on the Legacyof Sts Cyril and Methodius -- Cultural and Literary Context of the Image of Cyriland Methodius -- Chapter Two - Comparative Imagologyand Catholic Literature -- Self-image of Slovak Nation in the Work of Authors of SlovakCatholic Modernism -- "Our Own" vs. "the Foreign" in Work of Dlhomír Poľský -- Chapter Three - Hungarian Catholic Literaturein the 1920s-1930s -- The Poetic Aesthetics of László Mécs -- Conclusion -- Bibliography -- Internet and other sources -- Name Index. |
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Sommario/riassunto |
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Vliv a význam náboženství a křesťanské tradice ve specifické kulturně-geografické konstrukci střední Evropy se stal významným impulsem pro tvorbu národních (sebe)obrazů. Tato kniha se zamýšlí nad duchovně a nábožensky orientovanými literárními aktivitami, které byly rovněž využity jako prostředek kulturní homogenizace a kulturní diverzifikace. Ve snaze přitáhnout pozornost veřejnosti k možnostem různých pohledů na literární obrazy, klišé, národní symboly či mýty používají |
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autoři nástroje srovnávací imagologie. Zohledňují různé významné neliterární okolnosti a rozšiřují diskurz analýzou kulturních obrazů křesťanské tradice právě jako prostředku kulturní a národní (sebe)identifikace. Publikace tak přispívá k mezikulturnímu dialogu a stává se cenným vstupem do probíhající diskuse o významu literární tvorby autorů spojených s nábožensko-duchovními hodnotami z hlediska vytváření (vlastního) kulturního obrazu. |
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2. |
Record Nr. |
UNINA9911145849803321 |
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Autore |
Lopes Paul Douglas |
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Titolo |
Demanding respect : the evolution of the American comic book / / Paul Lopes |
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Pubbl/distr/stampa |
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Philadelphia, : Temple University Press, 2009 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (260 p.) |
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Disciplina |
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Soggetti |
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Comic books, strips, etc - United States - History and criticism |
Caricatures and cartoons - United States - History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [191]-219) and index. |
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Nota di contenuto |
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Contents; Acknowledgments; Introduction: The Evolution of the American Comic Book; 1 The Early Industrial Age I: Pulp Logic and the Rise of the American Comic Book; 2 The Early Industrial Age II: The Crusade Against Comic Books and the End of the Comic Book Boom; 3 The Late Industrial Age: The Return of the Superhero and the First Comic Book Rebellion; 4 From the Late Industrial to the Heroic Age: Comic Book Fandom and the Mainstream Pulp Rebellion; 5 The Heroic Age II: Alternative Comics and a Rebellion from the Margins |
6 The Heroic Age III: New Movements, Winning Respect, and the Rise of the Graphic NovelConclusion: The Development of an Art Form; Notes; Index |
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Sommario/riassunto |
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How is it that comic books-the once reviled form of lowbrow popular culture-are now the rage for Hollywood blockbusters, the basis for bestselling video games, and the inspiration for literary graphic novels? In Demanding Respect, Paul Lopes immerses himself in the discourse and practices of this art and subculture to provide a social history of the American comic book over the last 75 years. Lopes analyzes the cultural production, reception, and consumption of American comic books throughout American history. He charts the rise of superheroes, the proliferation of |
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