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1. |
Record Nr. |
UNINA9911104366603321 |
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Autore |
John Angela V |
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Titolo |
Elizabeth Robins : staging a life, 1862-1952 / / Angela V. John |
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Pubbl/distr/stampa |
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London ; ; New York, : Routledge, 1995 |
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ISBN |
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1-134-92683-9 |
1-134-92684-7 |
1-280-04668-6 |
0-203-41319-9 |
0-203-31635-5 |
9780203413197 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (306 p.) |
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Disciplina |
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Soggetti |
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Women novelists, American - 19th century |
Actresses - United States |
Actresses - England |
Feminists - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 248-275) and index. |
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Nota di contenuto |
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Book Cover; Title; Contents; List of illustrations; Acknowledgements; INTRODUCTION; WHITHER HOW?; THE OPEN QUESTION; IBSEN THE ACTRESS; THEATRE AND FRIENDSHIP; COME AND FIND ME; THE MAGNETIC NORTH; THE CONVERT; WHERE ARE YOU GOING TO?; ANCILLA'S SHARE; TIME IS WHISPERING; Appendices; Elizabeth Robins's major publications; Elizabeth Robins's writings on women's suffrage; Notes; Index |
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Sommario/riassunto |
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A woman of extraordinary energy, talent and versatility. Elizabeth Robins was an actress who popularised Ibsen on the British stage, a prolific and popular writer of novels and non-fiction, and an Edwardian suffragette. Her extensive circle of friends included Florence Bell, Henry James, John Masefield and William Archer. She worked with the Pankhursts and knew the Woolfs. Through examining the life and work |
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of this vivid and transatlantic figure born during the American Civil War yet surviving into the England of the 1950's, Angela John raises questions about the shaping of historical identitiy |
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2. |
Record Nr. |
UNINA9911144475903321 |
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Autore |
Simonson Peter |
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Titolo |
Handbook of Communication History |
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Pubbl/distr/stampa |
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Hoboken, : Taylor and Francis, 2013 |
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New York : , : Routledge, , 2013 |
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ISBN |
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1-283-91940-0 |
0-203-14911-4 |
1-136-51431-7 |
9780203149119 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (529 p.) |
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Collana |
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Altri autori (Persone) |
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PeckJanice |
CraigRobert T |
JacksonJohn |
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Disciplina |
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Soggetti |
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Communication - History |
Communication -- History |
Journalism & Communications |
Communication & Mass Media |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; The Handbook Of Communication History; Copyright; Contents; Series Editor's Foreword; Contributors; Introduction; Part I: Field; 1. The History of Communication History; 2. Media; 3. Communication Research; Part II: Modes; 4. Audiences: Publics, Crowds, Mass; 5. Rhetoric in Cross-Cultural Perspectives; 6. Conversation; 7. Visual Communication; 8. Communication in Music; Part III:Media; 9. Print Culture; 10. Journalism; 11. Telecommunications; 12. Radio Broadcasting; 13. Television; 14. New Media; Part IV: Society; 15. The City; 16. Science Communication; 17. Politics; 18. Labor |
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19. War20. Gender and Media: A Very Short Herstory; 21. Race; 22. Organizing; Part V: World; 23 Rhetoric in Latin America; 24. "Cultural Imperialism" Revisited: Broadcasting in Latin America, India, and China; 25. Communication in Colonial and Post-Colonial Southern Africa; 26. Islam, Mediation, and Technology; 27. Jewish Media and Communication in the Modern Age; 28. East Asian Communication Studies; Epilogue: The Futures of Communication; Index |
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Sommario/riassunto |
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The Handbook of Communication History addresses central ideas, social practices, and media of communication as they have developed across time, cultures, and world geographical regions. It attends to both the varieties of communication in world history and the historical investigation of those forms in communication and media studies. The Handbook editors view communication as encompassing patterns, processes, and performances of social interaction, symbolic production, material exchange, institutional formation, social praxis, and discourse. As such, the history of commun |
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