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1. |
Record Nr. |
UNINA9911139895803321 |
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Autore |
Epstein Eliot <1929-> |
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Titolo |
Industrial composting : environmental engineering and facilities management / / Eliot Epstein |
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Pubbl/distr/stampa |
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Boca Raton, Fla, : CRC Press, 2011 |
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Boca Raton : , : CRC Press, , 2011 |
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ISBN |
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0-429-10646-7 |
1-4398-4532-8 |
9780429106460 |
9781040059753 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (338 p.) |
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Disciplina |
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Soggetti |
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Refuse and refuse disposal |
Environmental engineering |
Facility management |
Compost industry |
Refuse disposal facilities |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Front Cover; Contents; Preface; Acknowledgments; The Author; Chapter 1: A Prospective; Chapter 2: Basic Concepts of Composting; Chapter 3: The Composting Process; Chapter 4: Design and Material, Energy, and Water Balances; Chapter 5: Facilities Planning; Chapter 6: Composting Technologies and Systems; Chapter 7: Facility Design; Chapter 8: Economics; Chapter 9: Odor Management Basic Concepts; Chapter 10: Operational Control of Odors; Chapter 11: Odor Control Systems; Chapter 12: Pathogens; Chapter 13: Bioaerosols; Chapter 14: Site Management |
Chapter 15: Public Relations, Communication, and RegulationsChapter 16: Product Utilization and Marketing; Back Cover |
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Sommario/riassunto |
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The ultimate in recycling, composting has been in use in some form since ancient times. A well-managed composting facility should exist as a good neighbor contributing to ecology. However, since local |
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populations often perceive risks if a composting facility is built nearby, composting facilities must be designed and operated with minimal odor, dust, and noise emissions. Industrial Composting examines the key operational aspects and problems associated with composting, with strong emphasis on odor mitigation, pathogens, and aerosols. Designed for compos |
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2. |
Record Nr. |
UNINA9911133164003321 |
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Autore |
Van Orden Kate |
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Titolo |
Music, authorship, and the book in the first century of print / / Kate van Orden |
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Pubbl/distr/stampa |
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Berkeley : , : University of California Press, , [2014] |
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©2014 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (257 p.) |
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Classificazione |
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Disciplina |
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Soggetti |
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Music printing - History - 16th century |
Music publishing - History - 16th century |
Music - 16th century - History and criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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The world of books -- Music books and their authors -- Authors of lyric -- The book of poetry becomes a book of music -- Resisting the press : performance. |
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Sommario/riassunto |
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What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music's adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music |
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could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers. |
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