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Record Nr. |
UNINA9911114726703321 |
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Autore |
Custodis Michael |
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Titolo |
Music and Resistance : Cultural Defense During the German Occupation of Norway 1940-45 / / Michael Custodis |
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Pubbl/distr/stampa |
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ISBN |
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Edizione |
[1st, New ed.] |
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Descrizione fisica |
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1 online resource (430 p.) : mit zahlreichen, teils farbigen Abbildungen |
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Collana |
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Münsteraner Schriften zur zeitgenössischen Musik ; 6 |
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Soggetti |
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Music |
Resistance |
Occupation |
Norway |
Concentration Camp |
Nazism |
Politics |
Exile |
Propaganda |
Church Music |
Choir |
Nationalsozialismus |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Abbreviations Foreword I. Music as Resistance Nordic Exceptionalism Institutionalizing Cultural Defense Sivorg and Music The Historiography of Music and Nazism in Norway Music as Resistance - A Preliminary Model Nordic Music Politics The Secret List of Confi dants II. Persecution of Musicians and Music in Concentration Camps Locations and Numbers Causes for Detention Violinist Jac Maliniak - From Warsaw and Trondheim to Auschwitz Mundane Music to Remember and Forget Enforced Submission and Voluntary Action Camp Odysseys - Frank Storm Johansen and Gunnar Kjeldaas Acts of Musical Resistance Claims for Compensation III. Artistic Liberty and Periphery Military Music Music in Churches Composing Resistance in Bergen and Harald |
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Sæverud's Symphony No. 5 (1941) Activities in Stavanger, Trondheim, and Tromsø IV. Remote Resistance in Stockholm Numbers and Procedures Expatriates from Norway A Nordic Casablanca Norwegian Counterpropaganda Sentiments V. Different Modes of Consolidation Media and Occupation. Fighting Men of Norway (1942), Edge of Darkness (1943), and Song of Norway (1944) A Voice of Pride and Compassion - Moses Pergament's Den judiska sången (1944/45) Musical Resistance and Perseverance Archival Sources References Index of Names |
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Sommario/riassunto |
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The role of music during the German occupation of Norway (1940-45) proves to be an exceptional case for cultural opposition in a dictatorship. Few famous musicians, some local celebrities and innumerous hardly known activists preferred artistic instead of militant means to demonstrate reluctance, spread information, contradict the legitimacy of the German occupants and raise the moral strength of fellow countrymen in Norway and abroad, while risking to be caught, incarcerated and driven into exile. The indispensable advantage was the popular belief of art as an apolitical matter so that music even could reach into fields that would have been inaccessible to open political agitation. Based on considerable findings in public archives and private collections, this book discusses music in concentration camps in Norway and the fate of Jewish musicians, portrays choirs, military ensembles, orchestral and church music in Norway. It further analyzes Harald Sæverud’s 5th symphony and Moses Pergament’s choir symphony Den judiska sången, illustrates the exile of musicians in Stockholm and discusses resistance music in historic media such as the Errol Flynn-movie Edge of Darkness (1943), recapitulated by a model for music as resistance. |
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