1.

Record Nr.

UNINA9911069022703321

Autore

Schwartz Matthias

Titolo

Appropriating History : The Soviet Past in Belarusian, Russian and Ukrainian Popular Culture

Pubbl/distr/stampa

Bielefeld : , : transcript Verlag, , 2024

©2024

ISBN

9783839460771

3839460778

Edizione

[1st ed.]

Descrizione fisica

1 online resource (319 pages)

Collana

Historische Lebenswelten in populären Wissenskulturen/History in Popular Cultures ; ; 21

Altri autori (Persone)

WellerNina

Disciplina

302.230947

Soggetti

HISTORY / Europe / Eastern

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di contenuto

Frontmatter -- Contents -- Popular Culture and History in Post-Soviet Nation States -- I. Places of Longing: Yesterday’s Tales, Melodramatic Lives and Astonishing Worlds -- Chapter 1: More than Nostalgia -- Chapter 2: Drawn History -- Chapter 3: Narrating Russia’s Multi-Ethnic Past -- Chapter 4: The Zone as a Place of Repentance and Retreat -- II. Combat Zones: War Heroes, Resistance Fighters and Joyful Partisans -- Chapter 5: Alternative Versions of the Past and the Future -- Chapter 6: Ludic Epistemologies and Alternate Histories -- Chapter 7: Partisan, Anti-Partisan, pARTisan, Party-Zan, Cyberpartisan -- Chapter 8: Mummified Subversion -- III. Sites of Trauma: Horror Fantasies, Weird Sceneries and Realms of Terror -- Chapter 9: Dealing with Cultural Traumas -- Chapter 10: Nostalgia for Trauma -- Chapter 11: The Affective Landscapes of S.T.A.L.K.E.R. -- Chapter 12: Come and See, Once Again -- Epilogue -- Public History, Popular Culture, and the Belarusian Experience in a Comparative Perspective -- Appendix -- Acknowledgments -- Authors

Sommario/riassunto

Popular media play an important role in reconstructing collective imaginations of history. Dramatic events and ruptures of the 20th century provide the material for playful as well as neo-imperialist and nationalist appropriations of the past. The contributors to the volume investigate this phenomenon using case studies from Belarusian,



Russian and Ukrainian popular cultures. They show how in mainstream films, TV series, novels, comics and computer games, the reference to Soviet history offers role models, action patterns and even helps to justify current political and military developments. The volume thus presents new insights into the multi-layered and explosive dynamics of popular culture in Eastern Europe.