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Record Nr. |
UNINA9911067910103321 |
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Autore |
Fazan Jaroslaw |
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Titolo |
Seventeenth- Century Dutch Painting and Modern Literature |
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Pubbl/distr/stampa |
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Frankfurt a.M. : , : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, , 2024 |
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©2024 |
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ISBN |
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3-631-91359-1 |
3-631-91358-3 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (330 pages) |
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Collana |
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Polish Studies - Transdisciplinary Perspectives Series ; ; v.44 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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17th-Century Dutch Painting |
Art Correspondence |
Century |
Comparative Literature |
Dutch |
Ekphrasis |
Fazan |
Genre Painting |
Jaroslaw |
Landscape |
Literature |
Magdalena |
Modern |
Modern Literature |
Painting |
Portrait |
Proust |
Rembrandt |
Self-Portrait |
Seventeenth |
Sniedziewska |
Still Life |
Vermeer |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Cover -- Series Information -- Copyright Information -- Table of Contents -- List of Abbreviations -- Part I: Writer as an Art Historian -- Introduction -- Mediated Reception -- The Status of People Writing about Art -- Chapter One: Landscape -- "Landscapes in Frames:" Pankiewicz, Makowski, Cybis, and Herbert Following Seventeenth-Century Dutch Landscape Artists (and Fromentin) -- First Polish Readers of The Masters of Past Time -- A Polemic with Fromentin -- Petit Pan de Mur Jaune: Czapski, Herling-Grudziński, and Herbert in the Face of Proust's Vision of View of Delft -- Czapski on Bergotte's Premortem Illumination -- Contre Proust: Herling-Grudziński in Search of the "Little Patch of Yellow Wall" -- "That Wall with Warm Light" -- Three Lessons of Rapture -- Chapter Two: Genre Painting -- "Wide-open Door Invites Us:" Writers Peek into Dutch Homes -- Doorsien -- The Rules of Love Letters -- "Silent Witnesses of Eluding Meaning" -- "In Painted Silence and Concentration:" Literary Attempts to Individualize the Female Protagonists of Vermeer's Genre Scenes -- Girl Reading a Letter at an Open Window -- The Milkmaid -- The Lacemaker -- "Cloister Aura" -- Chapter Three: Still Life -- Between Painterly and Literary Perception of Objects: Seventeenth-Century Dutch Still Life in Czapski and Herbert -- "The Joy of Looking at Objects:" Ennoblement of Still Life -- "Killed Nature" -- "Dead" for Czapski: Toward "Purely Painterly Values" -- Herbert's Still Life with a Bridle or a Lesson in Reading Paintings -- Metaphysical Realism: Miłosz and "the Dutch, Who Liked to Paint Still Life" -- "Realistic" Genres -- Realism against Classicism: "Longing for Perfect Mimesis" -- Epiphany of a Watering Can -- Pan Tadeusz, the Szetejnie Manor, and Dutch Still Lifes -- Chapter Four: Portrait. |
Trouble with Subjectivity in Poetic Reflections on Seventeenth-century Dutch Portraits -- Painter of the Gaze: Różewicz's Hals -- Rembrandt under Grochowiak's Scalpel -- Status of the Portrayed -- The Painter's Human Face: Rembrandt's Self-Portraits in the Mirror of Literature -- Rembrandt's "Painted Autobiography" by Guze -- Rembrandt in Różewicz's Mirror -- Rembrandt Covering a Mirror: Herling-Grudziński Argues with Alpers -- Conclusion -- Part II Zbigniew Herbert's Little Masters: A Reconstruction -- Introduction -- "An Extremely Subjective History of Art" -- Origins of the Notion Petits Maîtres -- History of Art from an Amateur's Perspective -- Chapter One: Willem Duyster: "The Painter of Great Proustian Melancholy" -- "The Rehabilitation Process" -- Dolce Far Niente -- "A Mature Melancholy" -- Chapter Two: Pieter de Hooch as "A Home Poet" -- A Painter of Bourgeois Interiors -- "Home as the Moral Cosmos" -- Chapter Three: Hendrick Avercamp as "The Painter of the Fourth Season" -- Avercamp-Brueghel and the Flemish Landscape Tradition -- Contribution to Avercamp's Biography -- Winter Landscape with Skaters: Exercises in Ekphrasis -- "A Little Excursion into the Field of Dutch Hibernation Customs" -- Naivety or "Respect for Reality" -- Chapter Four: Hercules Segers as "The Last Mountain Visionary in the Netherlands" -- "The Discovery" of Segers -- History of Influence -- Writer's Sensitivity -- Chapter Five: Pieter Saenredam as "a Portraitist of Architecture" -- Saenredam's "Perspectives" -- Workshop Secrets -- Against Abstraction -- Et Exaltavit Humiles -- Conclusion -- Series Index. |
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Sommario/riassunto |
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In her book, the author proposes a look at Dutch painting of the Golden Age through the eyes of contemporary writers. The researcher examines landscapes, genre paintings, still lifes and portraits of both |
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great and small Dutch masters, interpreted in the spirit of 19th-century artistic criticism. |
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