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1. |
Record Nr. |
UNINA9910134264703321 |
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Titolo |
Urban Challenges and Urban Design : Approaches for Resource-Efficient and Climate-Sensitive Urban Design in the MENA Region |
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Pubbl/distr/stampa |
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Berlin, : Universitätsverlag der TU Berlin ; BHRC |
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ISBN |
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Altri autori (Persone) |
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Kuhla von Bergmann, Nadine |
Pahl-Weber, Elke |
Ohlenburg, Holger |
Seelig, Sebastian |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910963258703321 |
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Autore |
Rand Erica <1958-> |
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Titolo |
Barbie's queer accessories / / Erica Rand |
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Pubbl/distr/stampa |
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Durham : , : Duke University Press, , 1995 |
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ISBN |
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9780822316206 |
082231620X |
9780822399247 |
0822399245 |
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Descrizione fisica |
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1 online resource (225 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Sexual orientation - United States |
Homosexuality - United States |
Barbie dolls - Social aspects |
Barbie dolls - Marketing |
Popular culture - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references (pages [197]-208) and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- Acknowledgments -- Introduction On Our Backs, in Our Attics, on Our Minds -- Chapter One Making Barbie -- Chapter Two Older Heads on Younger Bodies -- Chapter Three Barbie's Queer Adult Accessories -- Conclusion. On Our Backs, in Our Hands, on Our Broadsides -- Notes -- Index |
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Sommario/riassunto |
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She’s skinny, white, and blond. She’s Barbie—an icon of femininity to generations of American girls. She’s also multiethnic and straight—or so says Mattel, Barbie’s manufacturer. But, as Barbie’s Queer Accessories demonstrates, many girls do things with Barbie never seen in any commercial. Erica Rand looks at the corporate marketing strategies used to create Barbie’s versatile (She’s a rapper! She’s an astronaut! She’s a bride!) but nonetheless premolded and still predominantly white image. Rand weighs the values Mattel seeks to embody in Barbie—evident, for example, in her improbably thin waist and her heterosexual partner—against the naked, dyked out, transgendered, and trashed versions favored by many juvenile owners and adult collectors of the doll.Rand begins by focusing on the production and marketing of Barbie, starting in 1959, including Mattel’s numerous tie-ins and spin-offs. These variations, which include the much-promoted multiethnic Barbies and the controversial Earring Magic Ken, helped make the doll one of the most profitable toys on the market. In lively chapters based on extensive interviews, the author discusses adult testimony from both Barbie "survivors" and enthusiasts and explores how memories of the doll fit into women’s lives. Finally, Rand looks at cultural reappropriations of Barbie by artists, collectors, and especially lesbians and gay men, and considers resistance to Barbie as a form of social and political activism.Illustrated with photographs of various interpretations and alterations of Barbie, this book encompasses both Barbie glorification and abjection as it testifies to the irrefutably compelling qualities of this bestselling toy. Anyone who has played with Barbie—or, more importantly, thought or worried about playing with Barbie—will find this book fascinating. |
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3. |
Record Nr. |
UNINA9911047870203321 |
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Autore |
Gleiter Jörg H <p>Jörg H. Gleiter, Technische Universität Berlin, Deutschland </p> |
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Titolo |
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Architekturtheorie heute / Jörg H. Gleiter |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2015 |
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2015, c2008 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (135 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Architekturtheorie |
Architectural Theory |
Symbol |
Image |
Bild |
Architecture |
Ornament |
Einfühlung |
Architektur |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Digital technologies today are ruthlessly imposing their logic on everyone and everything. Increasingly, they are no longer confined to the screen, and as such, they are currently challenging architecture as the universal cultural practice through which the cultural logic of an age experiences its translation into everyday life. In the renaissance, it was neoplatonism, in the Baroque, the counter-reformation, and in modernity, the rationality of mechanization. Today on the other hand, it is the logic of digital technologies that seeks to be accepted into the material content of architecture. Where there is no alternative to this, it is necessary to carry out a critical reflection of the foundations of architecture today. |
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Nota di contenuto |
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Frontmatter 1 Inhalt 5 Vorwort 6 Einführung 10 Bild und Zeichen 26 Stil und Ornament 56 Leibliche Symbolik 92 Personenregister 129 Architektur Denken - Die Reihe 132 |
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Sommario/riassunto |
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Rücksichtslos drängen die digitalen Technologien heute allem und jedem ihre Logik auf. Sie lassen sich immer weniger auf die Bildschirme beschränken. So fordern sie gerade die Architektur als jene universale kulturelle Praxis heraus, durch welche die kulturelle Logik einer Zeit ihre Übersetzung in den Lebensalltag erfährt. In der Renaissance war es der Neoplatonismus, im Barock die Gegenreformation und in der Moderne die Maschinenrationalität, heute dagegen ist es die Logik der digitalen Technologien, die nach Aufnahme in den Gehalt der Architektur verlangt. Wo es keine Alternative dazu gibt, bedarf es der kritischen Reflexion der Grundlagen der Architektur heute. |
»Den Reiz des schmalen Buchs macht der mitreißende intellektuelle Schwung von Gleiters dichter Darstellung aus: Das gilt für seine [...] Einführung in die jüngere Architektur und ihre Ideengeschichte, von der frühen Moderne über die Postmoderne bis hin zum Dekonstruktivismus und zum ›digital turn‹.« |
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