1.

Record Nr.

UNINA9910451972303321

Autore

Kainz Howard P

Titolo

Five metaphysical paradoxes [[electronic resource] /] / Howard P. Kainz

Pubbl/distr/stampa

Milwaukee, WI, : Marquette University Press, 2006

ISBN

0-87462-903-9

1-4356-1064-4

Edizione

[1st ed.]

Descrizione fisica

1 online resource (64 p.)

Collana

Aquinas lecture ; ; 2006

Disciplina

165

Soggetti

Paradox

Logic

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

short title page; title page; copyright page; prefatory; table of contents; director's notes; preface; paradoxes in the macrocosm; paradoxes in the microcosm; paradoxes in the human psyche: consciousness and the unconscious; the paradox of nature & the supernatural; philology & the limits of language; list of the Aquinas Lectures 1937-2006

Sommario/riassunto

The Aquinas Lecture in Philosophy. Howard Kainz studied Greek, Latin, and Philosophy at the University of California and at Loyola University, Los Angeles (BA). After an MA in the History of Philosophy at St. Louis University, he finished his PhD at Duquesne University, specializing in 19th Century German Philosophy. He was an Assistant Professor at Duquesne, then subsequently at Marquette, where he became full professor in 1981, and professor emeritus in 2002.



2.

Record Nr.

UNINA9911046699003321

Titolo

East Central European Art Histories and Austria : Imperial Pasts – Neoliberal Presences – Decolonial Futures / Karolina Majewska-Güde, Monika Leisch-Kiesl

Pubbl/distr/stampa

Bielefeld, : transcript Verlag, 2024

ISBN

9783839473634

3839473632

Edizione

[1st ed.]

Descrizione fisica

1 online resource (0 pages)

Collana

Linzer Beiträge zur Kunstwissenschaft und Philosophie

Disciplina

707.22

Soggetti

Art History

East Central Europe

Austria

Imperialism

Postsocialism

Art

Postcolonialism

Art History of the 19th Century

Art History of the 20th Century

Fine Arts

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di contenuto

Cover -- Table of Contents -- Preface -- East Central European Art Histories and Austria: Imperial Pasts - Neoliberal Presences - Decolonial Futures: An Introduction -- Part I -- Habsburg Scholars and Writings about Romanian Historical Monuments in the Late Nineteenth Century -- The Quest for Totality: Holistic Concepts in Art Theory in Central Europe after 1900 -- Imagining Czech National Art: The Mánes Association of Fine Artists and Their Path to Success (1898 -1907) -- Painters of the Empire? The Challenging Representation of Habsburg Bosnia in the Kronprinzenwerk -- The Expressive Theory of Art: Hans Tietze and the Polish Promoters of National Art -- "Land und Leute" in the Transnational Space: Recontextualizing Heimatphotographie in



Central Europe -- Shots for Thought: Art (and) History in Bosnia and Herzegovina from a Postcolonial View -- Interlude -- We Both Love This Pięć So Much: Walking through the Stairwell at KU Private-University Linz -- Part II -- Methodologies - Regional Propositions -- Southern Constellations in Arts and Culture: Some Cases from the Non-Aligned Movement -- Peripheries of the World Unite! -- Case Studies: Regional Art Histories of the Neo-Avant-Garde Written from Austria -- ERSTE Stiftung: An Ambassador for Central and Southeastern European Culture -- Post-Socialist Art Histories and the Global Paradigm or, Rethinking Global Art History from the East Central European Semi-Periphery -- Short Interviews: Austrian-based Institutions as Narrators of East Central European Art Histories -- Hemma Schmutz -- Sabine Breitwieser -- Walter Seidl -- Georg Schöllhammer -- Short Biographies.

Sommario/riassunto

The specific role of the Austro-Hungarian Empire and the later nation of Austria within the formation of regional art histories in East Central Europe has received little attention in art historical research so far. Taking into account the era of the Dual Monarchy as well as the period after 1989, the contributions analyze and critically scrutinize the imperial legacies, transnational transfer processes and cultural hierarchies in art historiographies, artistic practices and institutional histories. Consisting of 17 texts, with new commissions and one reprint, case studies, monographic essays and interviews grouped thematically into two sections, the anthology proposes a pluriversal narrative on regional, cultural and political contexts.