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1. |
Record Nr. |
UNINA9910462767803321 |
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Autore |
Greenstone James L. |
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Titolo |
The elements of police hostage and crisis negotiations : critical incidents and how to respond to them / / James Lynn Greenstone |
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Pubbl/distr/stampa |
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New York : , : Haworth Press, , 2005 |
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ISBN |
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0-203-46327-7 |
1-136-61466-4 |
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Descrizione fisica |
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1 online resource (272 p.) |
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Collana |
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Hostage and crisis negotiation |
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Disciplina |
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Soggetti |
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Hostages |
Hostage negotiations |
Police training |
Communication in law enforcement |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"Not intended for general use or for public consumption." |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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ch. 1. Preincident preparation -- ch. 2. First-response duties -- ch. 3. Callout response -- ch. 4. Arriving on scene and setting up -- ch. 5. Preparing to negotiate -- ch. 6. Making contact and beginning negotiations -- ch. 7. Preparing for the surrender -- ch. 8. Postincident tasks -- ch. 9. Attending to special issues -- ch. 10. Specific issues relating to suicide -- ch. 11. Developing negotiator survival skills -- ch. 12. Learning and using effective communication skills -- ch. 13. Planning and preparing equipment -- ch. 14. Heeding the laws of hostage and crisis negotiations. |
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Sommario/riassunto |
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Run a safe and successful crisis negotiation?from start to finish! The Elements of Police Hostage and Crisis Negotiations: Critical Incidents and How to Respond to Them reduces the negotiation procedures for hostage, barricaded, and suicide incidents to their basic elements, providing quick and easy access to the information you need-from the initial call-out to the final debriefing. Based on field-tested principles proven to work, the book also includes newly developed and highly specialized techniques for more experienced negotiators. Author James L. Greenstone provides a user-friend |
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2. |
Record Nr. |
UNINA9911035048003321 |
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Autore |
Kirby Sarah |
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Titolo |
Music, New Media and the Archive / / edited by Sarah Kirby |
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Pubbl/distr/stampa |
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Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
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ISBN |
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9783032020253 |
9783032020246 |
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Edizione |
[1st ed. 2025.] |
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Descrizione fisica |
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1 online resource (212 pages) |
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Collana |
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Literature, Cultural and Media Studies |
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Disciplina |
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Soggetti |
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Music - History and criticism |
Communication |
Information theory |
Music |
History of Music |
Media and Communication Theory |
Classical Music |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Chapter 1: Introduction: Music, New Media, and the Archive -- Chapter 2: Lines of Beauty: The Development of Graphic Notation in the Music of Percy Grainger -- Chapter 3: On Amateurs and Sound Art in France and Britain, 1950s–1960s -- Chapter 4: Recordings on Radio and Anxiety over Archives in Weimar Republic Germany -- Chapter 5: Queer Technologies in Percy Grainger’s Experimental Practice -- Chapter 6: Intermedia and the Archive in John Zorn, Henry Hills, and Sally Silver’s Little Lieutenant -- Chapter 7: Digital Technologies as Musical Sources: Documenting Live Electronics in Adriano Guarnieri’s Work -- Chapter 8: Music, Technology and Living Archives at the Grainger Museum. |
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Sommario/riassunto |
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This book explores the representation and application of music and new media in the archive. Its case studies interrogate twentieth and twenty-first-century musical engagements with new media, ranging from notation, recording, and broadcast technologies to new analogue and electronic instruments, exploratory sound making techniques, and experimental compositional practice. The chapters each consider how |
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these developments are reflected or preserved in documentary sources, or conversely, how archived materials relating to music and sound might be effectively combined with innovations in practice today. A timely investigation, as music archives globally are challenged by researching, conserving, and creatively engaging with the new media of their collections, this book provides opportunities to assess the impact of the archive on our understanding of music and new media through both historical and contemporary approaches. Sarah Kirby is a musicologist and a research fellow at the Grainger Museum, University of Melbourne. Her work explores Australian and British music history and music in museum contexts. She is the associate editor of Musicology Australia, and in 2023 received the Australian Academy of the Humanities’ McCredie Musicological Award. . |
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